Cartridge-- M/M or M/C


Even though I have been back into vinyl for about 9 or 10 months now, I am still a relative newbie. I used to listen to vinyl in the 70's but not the way I do now.
I have a MMF-7 TT with the stock Eroica cartridge. As you know this is a M/C cartridge with what I assume is high output. 2.5 mv. (is that right?)
I guess because of my stupidity it is time to upgrade.
I don't want, or let me rephrase, I can't spend more than $500. What are the character differences between M/C and M/M?
What should I be looking at in this price range?
Thanks, Scott
scottht
I got a Basis 1400 w/ Rega 300 and Dynavector 10x (4 originally, now replaced with a 5) for a little more than your $1000 target. It's a great combo for the money, the Rega arm and Dyna cartridge work very well together. There is one currently on the "gon
http://cgi.audiogon.com/cgi-bin/cl.pl?anlgtabl&1078623831
Psychic--- You are amazing. How did you see that? Or do you just know me? I was born to waste money. I have spent thousands on this system and I want it right damn it:)
I can concur with Johnnantis about the Sota. I just recently purchased a Sota Sapphire series II used on the 'Gon. I am using it with a modded Rega 250 (w/2etreme endstub & F2 titamnium counterweight.) The Sota did bring my brightness down from my P3 table. It also quieted my bass response a little bit too much for my .5 Maggies though. The SOTA does get knocked around quite a bit here on the 'Gon, but is a LOT quitier than the P3 on quiet passages. Just my experience.
I have been listening to records for 40 years and have had several turntables and a good list of other gear. I, too, am now using the MMF-7. I chose it because it does have a very flowing, balanced sound and a dark background. I auditioned several turntables before buying and found the the MMF-7 and MMF-9 and the Rega P25 and the P9 were the only ones under $3000.00 total cost that could produce this sound. The mids with these turntables proved to be full and there was remarkable bass extension for vinyl playback. There are a few other considerations, however. Strip out the ground wire from the interconnect provided and use it and throw the rest away. In fact, I considered sending it back to Roy Hall. I am currently using a Transparent Ultra phono cable with very satisfactory results. I have also used a pair of Chord Anthem interconnects with good results. I have experimented with some other cables, and this turntable seems to be very sensitive to the changes in sound that you can make with different cables. Please note that I do not run out and buy new cables all the time. In fact the only ones that I have bought new are a couple of Kimber digital coax cables. AudiogoN is a good source to use in trying different cables by buying them cheap on the used market. Over a period of time I have acquired a number of different ones that I experiment with. Phono stages are also an area to consider. I auditioned, in home, several in the $1200 and under range when I bought the new turntable. I didn't like any of them. With the exception of the Coph Nia, I thought that they all sounded thin. I am using an old Marantz PH-22, which has been with me for a while and that I bought used, also. It has an almost tube-like warmth. I have also found than some addition isolation under the footers on the MMF-7 also helps darken the background. I used some Sorbothane pucks that I bought from Vera Starr, who is a AudiogoN vendor. To keep them from squishing, I cut some disc from the back of a pad of paper, put them on top of the pucks, and put the footers and cups on the paperboard. It made a serious difference. I hope that this is helpful. As you know, we don't hear things exactly the same way, so I have to stress the idea of experimenting. You have a good turntable. I think that with a little experimenting and listening you'll have it working to your satisfaction.