Cable vs. Electronics: biggest bang for the buck


I recently chronicled in a review here, my experience with a very expensive interconnect. The cables cost nearly $7000 and are well beyond my reach. The issue is, the Pursit Dominus sound fantastic. Nothing in my stereo has ever sounded so good. I have been wondering during and since the review how much I would have to spend to get the same level of improvement. I'm sure I could double the value of my amp or switch to monoblocks of my own amps and not obtain this level of improvement.
So, in your opinion what is the better value, assuming the relative value of your componants being about equal? Is it cheaper to buy, great cables or great electronics? Then, which would provide the biggest improvement?
128x128nrchy
Nrchy - it seems to me that you're really beginning to get a good understanding of how this works. :)

Its the "end result" or the final sonic signature of the component that really matters - how it gets there should be mostly irrelevant to the listener. The fact that a component sounds good is all that should really matter.

I've seen lousy wire used inside of great components and while the quality of the wire was an initial concern to me, I ultimately realized that it was silly to worry about that when the sonics produced by the component were outstanding.

Likewise, I have known people who re-wired their equipment with GOOD wire, only to have horrid results.

As Tim (Tireguy) so eloquently stated in the first post - "Your system is a sum of all its parts". & I would have to agree.

But I'd like to take an additional step...

Audio is really quite similar to the game of Black Jack whereas the objective is to get a "21" without going over - by adding too many cards.

When building a component (or a complete system) every change made can take you closer to what might be considered a "21" - making too many improvements sometimes results in a sonic downgrade or "going bust".

You are right - everything has a sonic signature.

A component adds its own signature to the signal it receives. For example, if a component is bright sounding, a bright signal being fed into it will be undesirable.

The trick is to ensure that each component is fed with the sonic signature it needs to produce an optimal result.

Make sense?
In my experience, I have seen customers go two ways, depending on their components:

In the first case, their components are accurate and have low-impedance output drivers, particularly the source CDP. In this case, cables with lower reactance (capacitance and inductance) generally improve the system sound, particularly the image focus, soundstage and detail rendering. They get improvements that are worth the money spent on cables.

In the second case, the components/speakers are adding some coloration, usually high-frequency harshness or bass bloat. In this case, they are tempted to use inferior cables designs as "tone controls" to the get "sound" they are looking for. Unless they identify and eliminate the inferior component, usually the source, but sometimes the preamp or speakers, they will continually chase their tail, often dismissing excellent cables in fovaor of inferior ones. This is the "garden path", and unfortunately many audiophiles go down this path. Some finally discover the error in their ways.
Ah... but if inferior cables (less expensive) can benefit the sound of an inferior component vs. a continued degradation in the sound with a superior cable, wouldn't that make the inferior cable the truly superior cable in that instance? :)

I would gladly dismiss excellent cables in favor of inferior ones if the inferior ones make my system sound better.
Bwhite there is a huge gap in your logic. Not to mention the fact that you make a completely unsubstantiated statement :(
How can the poor transmission of an inferior signal benefit it? If this logic is true wouldn't the best playback source be putting your ear to the cartridge of your turntable and skipping the electronics? Maybe you could run the cartridge leads into a stethascope.
The circular reasoning of your second paragraph evacuates it of any meaning. Inferior cable is cable which degradates the sound, it has nothing to do with price. The concern is solely with the sound and the point of this thread was intended to be that $$$ were not the issue. What makes a cable excellant?
I understand that there will always be a divergence of opinions but this reasoning makes no sense.
What I have learned through personal experience is that without question cables are components and no less important than any other in the rig. For example, I went from MIT high end series, 330 shotguns to reference 350's and EVO's and the improvement was beyond significant, low level detail, bass, hearing so much further into the recording and most of all accurate tonality, sorry, sounds like a review...I've got very good components but not reference level but until I put in these cables I never heard what the rest of the system was capable of, and I've been through lots of cables, brands, etc. No doubt with my years of investment in components, yes that especially includes wire, I do have some knowledge of what works well together and that's the only way you will ever get that magical synergy unless your very lucky. It sounds like Nrchy is getting the same results with the Purist wire; eye opener, interesting hobby we have chosen wouldn't ya say...