Nrchy - it seems to me that you're really beginning to get a good understanding of how this works. :)
Its the "end result" or the final sonic signature of the component that really matters - how it gets there should be mostly irrelevant to the listener. The fact that a component sounds good is all that should really matter.
I've seen lousy wire used inside of great components and while the quality of the wire was an initial concern to me, I ultimately realized that it was silly to worry about that when the sonics produced by the component were outstanding.
Likewise, I have known people who re-wired their equipment with GOOD wire, only to have horrid results.
As Tim (Tireguy) so eloquently stated in the first post - "Your system is a sum of all its parts". & I would have to agree.
But I'd like to take an additional step...
Audio is really quite similar to the game of Black Jack whereas the objective is to get a "21" without going over - by adding too many cards.
When building a component (or a complete system) every change made can take you closer to what might be considered a "21" - making too many improvements sometimes results in a sonic downgrade or "going bust".
You are right - everything has a sonic signature.
A component adds its own signature to the signal it receives. For example, if a component is bright sounding, a bright signal being fed into it will be undesirable.
The trick is to ensure that each component is fed with the sonic signature it needs to produce an optimal result.
Make sense?
Its the "end result" or the final sonic signature of the component that really matters - how it gets there should be mostly irrelevant to the listener. The fact that a component sounds good is all that should really matter.
I've seen lousy wire used inside of great components and while the quality of the wire was an initial concern to me, I ultimately realized that it was silly to worry about that when the sonics produced by the component were outstanding.
Likewise, I have known people who re-wired their equipment with GOOD wire, only to have horrid results.
As Tim (Tireguy) so eloquently stated in the first post - "Your system is a sum of all its parts". & I would have to agree.
But I'd like to take an additional step...
Audio is really quite similar to the game of Black Jack whereas the objective is to get a "21" without going over - by adding too many cards.
When building a component (or a complete system) every change made can take you closer to what might be considered a "21" - making too many improvements sometimes results in a sonic downgrade or "going bust".
You are right - everything has a sonic signature.
A component adds its own signature to the signal it receives. For example, if a component is bright sounding, a bright signal being fed into it will be undesirable.
The trick is to ensure that each component is fed with the sonic signature it needs to produce an optimal result.
Make sense?