Yes, my use of the word "dynamics" was misplaced. I will say though that my experience in load changing has been somewhat different.
On certain LP's that have little bass info and not much in the way of complex mixing, say a female vocalist with an accompanying pirce or tow, things can sound a bit less "thin" using the 300 ohm setting. A slightly reduced soundstage but better upfront "presentation" of the vocals.
Conversely, on certain LP's with a ton-o-bass and/or many different pieces in the mix, things are best at 100 ohm.
That said, this occurs on certain LP's only and may be due more the recording than the load setting. About 90% of the time I just leave it at 100 ohm.
On certain LP's that have little bass info and not much in the way of complex mixing, say a female vocalist with an accompanying pirce or tow, things can sound a bit less "thin" using the 300 ohm setting. A slightly reduced soundstage but better upfront "presentation" of the vocals.
Conversely, on certain LP's with a ton-o-bass and/or many different pieces in the mix, things are best at 100 ohm.
That said, this occurs on certain LP's only and may be due more the recording than the load setting. About 90% of the time I just leave it at 100 ohm.