Here is another paper worth reading:
http://web.archive.org/web/20020803152937/www.cris.com/~tnv2001/WHITPAPR.HTML
http://web.archive.org/web/20020803152937/www.cris.com/~tnv2001/WHITPAPR.HTML
What makes a good tonearm?
Here is another paper worth reading: http://web.archive.org/web/20020803152937/www.cris.com/~tnv2001/WHITPAPR.HTML |
If you take a close look at the Technics' 1200 tonearm you'll see the features of an outstanding tonearm. Full gimbal w/ extremely low friction bearings (published spec), s-shaped and bent at two unequal distances to avoid resonance, damped counterweight. It's a great design--a litlle heavy, being a cheaper version of the titanium EPA tonearm. THe tonearm is overall non resonant and neutral. Right, TWL? |
Ozfly, if in your studies of gimballed arms, you find a tonearm that will outperform an RB250, fully modified, with Cardas Litz (or equiv.) wire, stainless end stub, adjustable Heavyweight and VTA adjuster, under $500, even under $1000, make me the first to know, would you? Over $1000? Other options are available. But you will be surprised at how few with an equivalent price/performance ratio. IMHO. Happy Listening, Ed. |