MIT Love 'em or Hate 'em


Has anyone else noticed that audio stores that carry MIT think there is no better cable type and stores that don't carry MIT all think they are terrible. Is this sour grapes or is something else going on here?
bundy
As I replied to Abal, even parallel capacitance as a "power factor correction" will, together with the series inductance of the circuit (and perhaps even an inductor in the magic box) create a second order low pass filter - but maybe just maybe it works as you say it does, and maybe that is desireable.

IF that is the case ... why not just make add-on boxes with leads on them instead of making whole cables? Jack Bybee does this, Walker does this, there are a couple of aftermarket boxes that work in this gap - why not MIT and Transparent? They aren't selling cables, per se - they are selling cable-fixers. So why not fix a greater variety of cables with the magic boxes?

And if the magic box prevents reflected energy from returnining to the feedback loop of an amplifier, would it be safe to assume that they wouldn't have this effect with amplifiers such as zero-feedback SET types?

And cables that are THAT reactive are just poorly designed, IMHO. But as you say, "This explains why synergy is so critical when trying to optimize your setup, and why a particular cable set works differently when placed into different electrical environments. This is an unavoidable fact of life for any cable." - basically we understand each other in that these magicboxes cannot be optimized for all systems, but can fit only particular systems and this with only varying degrees of optimization depending upon how far from the original modeled system the system under test falls.
I agree with the basic premise of your comments i.e. an impedance compensation network is valid for the specific system that it was designed for. Change just one variable ( speaker, cable, amplifier, etc... ) and that network is no longer valid or "most correct". Trying to do anything other than "tweak" a specific set of components within a system for optimum performance by using cables with "universal" values in their "magic boxes" is completely "generic" in my eyes and a highly flawed approach. That is why i said that i have no desire to investigate MIT, Transparent, etc... Sean
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unklecrusty@aol.com
Great post. Thanks for your input. I also was looking at MIT. Thanks Again
FWIW, I have never been interested in trying out any of the networked cables simply because of the boxes themselves. Can't say anything for 'em or against 'em one way or the other sonically speaking (tho' their prices often do seem a bit excessive), but I suspect I am not alone in my prejudice.
My 2 cents - I love 'em. I think the opposite is true unklecrusty - the better the components the greater the need for a neutral cable. The 350 SG EVO and 350 reference ic's that I use are incredible. There is no sonic signature that I can pinpoint - they disappear and let the music flow in my system, you find out what your components are capable of reproducing in terms of tonality, imaging, and presence. To me, even with MIT 330 series and 750 speaker cables, they get the tone right and all other wire I've tried simply cannot. Instruments sound real. The one weakness with MIT is cost - the reference stuff is outrageously expensive. However, the performance difference between 330 series and 350 series is very significant, like any significant component ugrade in the chain. I like the networks, the higher up the chain you venture - the more and bigger the network. The reference stuff has metal boxes instead of plastic. Asthetically, I think they look cool - purists can't stand the idea of a network, frankly, I don't care - I just strive for satisfaction. As someone mentioned there is alot of passion with regard to MIT and I'm someone is going to passionately blast my post.