Absolute top tier DAC for standard res Redbook CD


Hi All.

Putting together a reference level system.
My Source is predominantly standard 16/44 played from a MacMini using iTunes and Amarra. Some of my music is purchased from iTunes and the rest is ripped from standard CD's.
For my tastes in music, my high def catalogues are still limited; so Redbook 16/44 will be my primary source for quite some time.

I'm not spending DCS or MSB money. But $15-20k retail is not out of the question.

Upsampling vs non-upsampling?
USB input vs SPDIF?

All opinions welcome.

And I know I need to hear them, but getting these ultra $$$ DAC's into your house for an audition ain't easy.

Looking for musical, emotional, engaging, accurate , with great dimension. Not looking for analytical and sterile.
mattnshilp
Tbg - your post makes no sense to me on so many levels.
Most importantly is why you are even here if you think this thread is worthless. I have no problem with you thinking that at all, but why did you read it then???

And for you to dismiss the Lampy so cavalierly, or tubes in general, boggles my mind. I have the luxury of having heard the Lampy, recognizing its incredible strengths and it's few weaknesses.

I can't imagine that my comparisons haven't helped at least one person to get the audible flavor of some of the gear I have auditioned. If it doesn't help you I'm fine with that. But I'm sincerely hoping I have either helped, or at least stimulated, some of the other readers.

We are at 33 thousand views. So I'm thinking someone is enjoying reading this.... I may check this thread frequently, but I can't take credit for all 33 thousand views. Lol.
Mattnshilp, I am curious about what you will conclude. You needed to understand that i've been in this hobby for 50 years. I'm not the least critical about your initial interest and thoroughness. I didn't dismiss the Lampizator for others, but it is just not my cup of tea.

I certainly have been interested in some components based on a written comment here and elsewhere, but it seldom, if ever, is a shoot out. It usually is based on enthusiasm and my finding more who are enthusiastic also.

The Lampizator is certainly an example. I even spent much time listening to it at CES. It is characteristic of tube units, which have been the vast majority of components I've owned. I've been involved in some fairly amateur recording sessions and have discovered that with current vibration and electrical isolation, many solidstate components sound less musical and more real like what I heard in the studio or theater.

Finally, I have participated in several double blind ratings of components including several 30 second exposures where you were to state whether it was the same or different. After these, I often got two or three to compare as you are.

I guess you might call me jaded, but I have a handful of friends whose opinions I trust.

Finally, I suspect there will be no conscience on which is best.
Tbg: It is ridiculous for you to go to an audio show and hear a system for a few minutes with the Lampi in it and have any idea what contributions it makes or not relative to the rest of the system. If you have not heard it directly compared to another in a familiar setup, you have no idea what its sonic signature truly is. And 50 years of experience means nothing.
Tbg.. Is English a second language for you? Because I'm having trouble understanding your thoughts and ideas. In your first post you say that the vast majority of units you've owned sounded like tubes or like the Lampy but then you say it isn't your cup of tea.. You seemed to completely contradict yourself.
Matt, you are doing a fine job ole chap, I, for one enjoy this thread alot, It has my vote for best thread of the year, I enjoy your context of words that you have when describing all that you are doing. Happy Listening!