Transparent Audio cables


Hello!

Any oppinions about Transparent cables?
I'm particularly interrested in the MusicWave Plus Biwire cables and mating interconnects.

Cheers,
David.
david_d
I have used MIT since the Early 90's and still use them for my Hometheater but for 2 channel, the high end Transparent have made a larger difference(Positive) than any of my components. Both MIT and Transparent do their magic in the box, if you can't hear it then you saved yourself some money, but I tried about 10 brands (Kimber,Cardas,Custom Silver(Bright), Linn,VanDenHul, Taralabs, etc) and imaging, vocals and imaging were leaps and bound better in my system with Transparent (and good with MIT).

Transparent doesn't believe in bi-wire to much, so unless your speakers really require it, make the next step up in cable and go single wire. I upgraded to Transparent Ref Jumpers for my NHT 3.3's and the difference was a minimal (not worth the cost). I have bought/used Super (stop here if you don't have the highest resolving front end otherwise you will not gain a big benifit,Ultra,Reference and now Reference XL.

The Reason I still use MIT on my hometheater is you can get unbelievable prices on high end cables new from AudioAdvisor Closeouts and the used market. But Transparent are still much better for 2 channel critical listening in the lower cables than T2,M330 of MIT.

Make you speaker cables as short as possible. Make sure the Transparent cables are used the correct direction!!!

Actually the number one tweak on my system was adding ASC Studio Traps and generic diffusers on the side.

Either Buy used and try it (make sure to do transparent from front to back) or use an excellent dealer to try the cables as this will end up saving you money and time. Also if you buy Transparent Super and up, you can always upgrade to the next level and for the retail difference of the upgraded cable!
System synergy is what cables are all about. I used Transparent Reference for several years with my Wilson 5.1's. This was supposed to be a perfect match but I still kept running into to many recordings that were to forward, specifically massed strings. On a lark I got a pair of Monster 2.2's and an MIT 330SG with the impedance matched to my power amp. More air, more bloom, bigger soundstage and smoother strings.

In my system to my ears the newer, and much cheaper, stuff was a big move up. Maybe I just needed a cable with a coloration to balance out a coloration in my speakers. Who knows? The point is only you can decide what coloration you like. Never buy expensive cables without trying them. You just never know how'll they'll work in your system.
High priced? Yes. Overpriced? No. Same with their rating. I am more experienced with their higher line cables but I can say that they allow for a more musical, full-bodied presentation of music than any other cable I have heard. No grain, deep natural bass, smooth, non-HiFi high frequencies. I have heard them make relatively affordable speakers sound better than I could have imagined. Compare them to MIT and any other you are considering, but do not equate them with MIT. Both use networks but divergent designs. Listen for yourself and learn about their upgrade program.

Ron
Bad, bad cable.... in my humble opinion this is some of the most overpriced junk on the market and has no business in a music system. I would much rather use lamp cord than live with horrible mess that Transparent makes of the sound.
There are some good values out there but the best by far is the 47Labs OTA kit... a few days with this stuff and you'll begin to realise what's really goin' on.
Cheers....
oh yeah and PS... Patricia Barber is also horrible