Graham tonearm tweaking


I have recently finished my Teres turntable project. I purchased a used Graham 2.0 for it, and installed my Clearaudio Discovery cartridge last weekend.

My question is, I have been reading the forums here regarding the damping levels on this arm. Could someone who has experience with this outline the method that they use to tweak the level to suit the cartridge? Please go into detail as to what you are listening for at each stage of the adjustments. Do you key in on the bass, or listen for treble?

I am looking forward to finetuning this arm and want to put in the effort needed to get it to its best sound.

Thanks guys, Brad.
bfuehrer
I was the one who started this thread topic back on 9/30/04. Many responded, but it was SirSpeedy who rose to the occasion and has developed the most informative and detailed analysis regarding this tweak. My hat's off in tribute, SirSpeedy.
This 'tweak' - damping fluid amount, can make or break the Graham for many people, it seems. Thank goodness we have this venue, Audiogon Forums, to make known this all too important factor. I wonder if too little information about this point is also included with the new Phantom.
For your edification,I simply wanted to be helpful,regarding the topic.I wrote this info out last night, and my daughter accidentally erased it.So,I spent a good time, in the A.M. re-writing it,as both my wife and daughter were,literally,dragging me off the computer,to go to brunch.I am no typist, and I did not have time to proof my copy,due to having my hair pulled!I do notice quite a few errors in my copy,but,it's just "tough luck"if you don't like it.What are you,my third grade teacher?The info I listed took me about an hour to keyboard in,and,can be fully understood.More importantly,it is ACCURATE!I really do have to learn to create paragraphs etc;but, I suggest, for those that are bothered,don't read my posts!Sorry for being so defensive here.I knew that if I responded to this particular subject,it would take me a really long time.I even debated whether to respond,due to the length necessary to cover it.It would have been longer,with more annoying grammatical errors,if it was not for the fact that my family wanted sustenance.For those that can get something out of it,I'm REALLY happy.For everyone else,sorry to inconvenience you!By the way,Metralla,I assume the "OLD", Super Small format of the early Absolute Sound would have bothered you too.
sirspeedy,

Please don't come down so hard on me. I enjoy your posts very much, and am grateful for your presence here. I am not your third grade teacher - I am one of your loyal readers.

I always read your posts and have often wondered about your writing style, and have thought about making this suggestion before (use paragraphs, more white space etc). This particular post is the longest one of yours I've read, and I decided to speak up.

I have all The Absolute Sounds.

Regards,
Thanks for the informative post SirSpeedy. I spent all day yesterday dialing in the loading on my cartridge, and I now need to tweak the arm itself. I will use your guidelines to start that process. Already I am impressed with the sound of the arm especially in the bass register.

I am looking forward to keeping this arm for a long time. You know, "THE FINAL TURNTABLE". hahaha. I have said that before, but this Teres with the Graham arm may fill the bill.

BTW. I have some of the old style, clear silicone fluid. Should I be ordering the new blue fluid since I am starting this process from scratch? Will there be any major improvement, or is blue just the color of the day?

Thanks, Brad.
Brad:
I was told by Bob Graham that the blue fluid (if you can call it a fluid!) is the result of refined development and is superior to the older clear fluid. He mentioned the viscosity and breakdown properties being better. Never compared the two, though.