NEW Musical Fidelity DAC


Hey everybody, it has come to my attention that Musical Fidelity is coming out with a new DAC. Has anyone heard it yet? Apparently there have only been 12 sent to North America, 8 went to the US and the rest here in Canada.
buckingham
<< As to the build quality of MF, it is nothing special at all. >>

I don't agree. I just had a Levinson 383 $6500 integrated traded in for a Nu-Vista M3 $4995 integrated. The Nu-vista without the external power supply was more substantial and weighed much more. In fact the power supply by itself was about the same weight as the Levinson.

The A3CR Dual Mono Power amp has four transformers (two large chokes and two large toroids) for $1595. There may be a couple other American or Western made products that also have that to tout. I can't think of them, but there may be some. I am not picking on this name as the only thing to buy...just stating facts. People should buy what they like.

<< Start supporting the underground mags that don't accept advertising, return their review samples and pay attention to whom their employees associate with. Sean >>

I have supplied samples of gear and tubes to magazine reviewers, and in the case of Sam Tellig he was insistant on returning the product (at my expenense) in a very structured manner. I run a full page ad in Stereophile every month, and frankly was pissed at the content of the review (thought positive, I disagreed with its tone) and as you said, I am also a Musical Fidelity dealer, so THAT didn't help. I didn't even know when the friggin' review was coming out. I was in France at the time and had to read a fax of a fax and respond within a couple days.

OTOH, the only time I have not gotten something back is from TWO reviewers of so called "underground mags".

But Sean you are right if you say relationships count and will influence. It would be naive to say they would not.

Even in the "underground" where a "newer" writer may get starry-eyed by getting to talk to some famous name. Influence can take form in many ways. Especially if you don't get paid for writing.
<< They have a lot of good reviewers. In general, I think they're an excellent magazine. They also walk an interesting tight rope in their commentary, which is sure to draw commentary from the bleachers, and a few of their practices amplify the commentary. -Kirk >>

Right on Kirk. And I hope Sean did not get the wrong idea from my comments. Personal influence happens every day, from the guy that gets off on a traffic ticket to whatever. So we do agree on some things.

I think most reviewers are having fun with the hobby, doing the best they can. And they SOMETIMES will be influenced by liking or dis-liking someone, or special treatment.
My point is no magazine is immune to that. Impossible. Unless you hire robots.

I will say that advertising dollars have little to do with it. Reviewers are so removed from that. One of my best friends sells ad space for one of the biggest computer mags in the world, and gets hung out to dry for ad space orders when a product gets a bad review, but tells the manufacturer he has no control over content.

John Marks from Stereophile made a nasty personal comment about me, which is amazing since we've never met and I don't know him from Adam. And he was presuming a bit about me because he did not like my "woody" ad in Stereophile (this was a thread on Audio Asylum). I could care less, but it was suggested that I should be offended by some customers of mine that took offense.

I think there are bigger things to think about.
I will attempt to keep my composure on this reply. As Upscale mentions the 383, which I own, I am bound to get a little defensive. This is my second 383, why two you may ask? Because spending time on places like this and reading many messages, whether accurate or inaccurate, I was convinced to sell the first and try other things, even though I was greatly enjoying the 383.

If I had unlimited funds, I may look into other products, but the 383 works wonderfully for me and I readily admit that some of what I like about the 383 is its functions and ergonomics. The 383 has some wonderful user features that do not add to the sonics but no doubt ad to the price.

But as long as we are talking of reviews, Stereophile couldn’t sing it’s praises high enough nor could Marc Mickelson of Sound Stage.

Every time a user on a forum wants to express how wonderful a particular integrated is, it’s always the 383 they want to claim it is better than, not another brand but the 383. That said, I am not at all claiming it is the best there is out there. In fact I have talked to a person that prefers the Mac MA6900, that’s great, to each our own. (I also note that Upscale only singled it out as he recently came into possession of one.)

Lastly, your analogy of weight to claim the MF is superior, if we used that across the board, NOBODY would use 95% of MF gear!!!! …as they don’t weigh diddly in comparison. Also, you are very wrong in what you said, in claiming, “In fact the power supply by itself was about the same weight as the Levinson.” The power supply weighs 30 lbs, the unit 65 lbs. The 383 weighs 65 lbs. SO, the power supply that you claim to weigh the same, weighs less than half! Total loss of credibility!

Disclaimer: I have nothing against MF gear, in fact, I bet the Nu-vista M3 sounds wonderful and wouldn’t mind the limited CD player, except for the silver and gold.

Sorry for the rant.
I did not mean to offend...I was using your 383 as an example of something that is nicely built and well respected, so used it as a comparison. It's a fine amp, and I happened to just take it in on trade towards the Nu-Vista. People change all the time as you pointed out. Thanks for the correction on weight. Levinson makes great stuff.

This was in answer to a post that said the build of MF gear is "nothing special" The fit and finish is as good as I have seen in 25 years in this biz. So good you have to at least see internal pictures if you have not.

And the weight (which is one of a few ways that you judge cost to build) is exceptional.

$4995 for 95lbs w/outboard power supply (Nu-Vista) vs $6500 for 65lb single chassis (Levinson 383). Not meant as a knock, just a comparison to another fine product in answer to a statement.

Hence Musical Fidelity setting up dealers. So you can go there and see for yourself. When I looked at the Audio Advisor ads I never got a sense of how they look in person, esp with the lid off. Now you can.

As to

"Lastly, your analogy of weight to claim the MF is superior, if we used that across the board, NOBODY would use 95% of MF gear!!!! …as they don’t weigh diddly in comparison."

Not true on any of their amps or preamps...compare them to most products made in USA or Western Europe. I know you can come up with an exception. But I mean most.

The new M250 monoblocs are 250w per channel and weight over 26lbs each for $1200 a pair. Made in England. If we think hard enough SOMEONE makes something like it. Maybe. Rotel made the MB100 for $1000 a pair, in China (not that there is anything wrong with that), and weighed less, with 100w channel.

Most folks that look closely see it. Look at what most British brands sell for once they get over here. Add 30% or more to the retail compared to what they sell for in the UK. Same thing for US products imported over there. Expensive. You cover transportation, import duty, wharehousing, at least two steps of distribution, advertising, and warranty. Being an importer myself I know the drill.

The Musical Fidelity A300 integrated (over 35lbs) sells in the UK for somewhere between $2100 and $2300 US dollars
(I have not checked exchange rates against the British Pound lately). Here it is $1695. IT'S LESS!

That is a skinny margin for them, but buyers can dig life.
Listened to the new A3 24 DAC from MF yesterday. Compared it to the Bel Canto DAC1 and the new Jolida CDP. We were using the Sony 777 as a transport, B&W802 and SF amplification. A few things I noticed:
1. Huge bass
2. Detailed highs and controlled bass
3. Bigger soundstage than the Bel Canto

I still have a thing for the Bel Canto. I found myself tapping my toes when the Bel Canto was connected more that with the A324. This is strictly personal preference because all the other guys preferred the MF A3 24 DAC. Also, it wasn't broken in yet, so I only got a vague idea.
Hope this helps.