Quality of recording vs Musical tastes

Sean,
I don't think we are that far apart in our views really,I think there are subtle differences between us.
I think we have arrived at the same destination-a wide collection of various musical styles and quality of recordings but have got there by slightly different motivations...however I do find that in some ways and I don't mean this as an offensive statement,that the pursuit of audiophile quality recordings seems to lead to quite conservative music or established musical forms in my opinion,now quite clearly a lot of members have very wide tastes in music but it is seldom I read about music that I want to buy from Audiogon members....there are exceptions CFB recently recommended the Zero 7 CD which I went out and bought.
To back up my argument I haven't seen too many interesting recommendations from your post which I think is a great post-it raises many interesting questions.
What it is also clear from being on this forum is that I am the exception it is quite obvious the number of members that have turned each onto a lot of music is massive.
I believe this is down to similarity in thinking and approach to music but also trust because this forum has become something of a community.
I do also remember that this site is about the pursuit of audio excellence and I have had a great amount of advice both on and off list from much more experienced people than myself.
Since I come from a slightly different angle at times I like to throw in my tuppence worth in the hope that the odd member might be interested in some music that I have come across from my different journey and I believe the album I recommended on my previous post Point by Cornelius is both interesting musically and of audiophille quality.

This has been a stimulating and provocative thread for me because several posts have prompted me to identify the key variables that determine my satisfaction with recordings. By way of background, though I did work for a couple of years on a "mixing team" for a small producer of high quality choral recordings, most of my experience has been as a double reed player and choral singer.

As of today, here are my variables of determination:

1. Recording quality. This to me means overall production values. Recording technique, mixing decisions, quality of equipment etc. This for me is a dissatisfier rather than a satisfier in the sense that good production (which is what I think some of you mean when you speak of an "audiophile" recording) does not really turn me on to a recording but poor production really turns me off.

2. "Goosebump factor". This is an undefinable something that has to do with listening context, my own history, and the particular characteristics of the performer. It is the emotional impact of the performance on me; definitely a satisfier rather than a dissatisfier. I listened to Willie Nelson sing Bridge Over Troubled Waters at the Olympics closing ceremony through the built-in speakers of a neighbor's 27 inch Magnavox. Production values and sound quality were shit but WOW did it give me g'bumps. An evocative performance of the Hindemith 2nd organ sonata can have the same effect. So can a well-conducted rendering of the last four minutes of Gotterdammerung, or a well played verson of Piano Man, or Alison Kraus and the Cox Family.

3. Technical performance quality. This is the variable that I hear mentioned least often on audiogon and similar fora. I sometimes listen to a recording just to see if the performer can play/sing it right. For example, Nicholas Harnencourt's style of conducting and interpretation tend to rank quite low on my goosebumps scale but I sometimes listen to his recordings just because he is so technically demanding. No wrong notes, no sloppy entrances, no crappy intonation, no out-of-tune passages. On the other hand, if the g'bump factor is really high, performance quality can be overlooked, else no one would ever be able to tolerate Janis Joplin. This is highly individual, of course. I can listen to Johnny Cash for an hour and his rotten pitch and absolutely terrible vocal production won't bother me at all but five minutes of Charlotte Church and I'm going nuts because the girl just can't sing. Sometimes either will satisfy me. I enjoy hearing Dale Clevenger hammer out the Strauss 1st horn concerto because he makes it alive and exciting. I equally enjoy my old mono recording of Dennis Brain playing the same work. Brain's interpretation is much less evocative but I really enjoy the pure precision of his playing.

Anyway, I'm not sure what all this drivel means but thanks for helping me try to clarify it in my own mind. If anyone has a clue what I'm be talking about, please write and explain it to me.

Will

Well, it's been 'NO' for me on point 1 -- but I *did* buy a (performance-wise indifferent) cd of a Symphonic poem simply because the recording has dynamics. Great way to blow speakers! As many others, I buy content rather than sound quality (if so, why have I invested in equipment...right?)

But, as you say, Sean, I do enjoy a good recording -- who doesn't. When I get it -- which is rare.
Lately, I purchased some Lassus cds (ECM) where the recording is top notch.
Dire Straits offer good enough sound.
Archiv's productions of the Koln Consort are quite good.
John Zorn also offers good sound.

Cheers!

I guess anyone who has been addicted to music for a couple of decades or so is likely to have expanded or changed their musical tastes to some extent.
Alot of times before buying if I suspect good (or poor)recording quality I'm influenced as a consumer. Sometimes that's a drag and can limit what gets underneath the skull. Pristine fidelity is nice, but isn't always necessary to make a great record. Who Live At Leeds, Capt. Beefheart Mirror Man and gobs of live Hendrix records are poorly recorded but offer tremendous rewards to the connected listener. The search for new and voluptuous sounds has only made things better. Trombones, Bass Clarinets, Tablas, Cellos, Oboes, Acoustic Basses and Trumpets are often better recorded and as adrenal and intoxicating as the best King Crimson or Mahavishnu Orchestra releases.

Definitely not guilty on point A. Somewhat more guilty on point B. I have, however, definitely expanded my musical tastes. My method, though, is usually through www.allmusic.com - I hear something I like, and go out and research it. Pretty soon I'm following all the Similar Bands links, etc. and I've got a list of CDs to buy. Then, when I have bought a CD by several different groups, I find that some of them are better recordings than others. I am MUCH more likely to buy other CDs of a groups I find this way when the first CD I listen to is of reasonable (or great) recording quality, and much less likely if the recording quality is poor.

I definitely admit to picking certain CDs to listen to occassionally based a great deal on their recording quality, but it's in a genre I like. Sometimes I just want to hear the rig do it's thing. -Kirk