Why JVC XRCDs are so expensive?


Telarc just reduced the SACD price from $24.99 to $19.99 per disc and average re-issued SONY classical SACD is around $17.00 steet price. I heard someone said the difference of sonic quality of SACD and XRCD is undetectable. For average of classical music fan like me, the $25 per disc of XRCD is just TOO expensive for only 30 to 50 minutes of total time.
laoyuap
Tuna: You're comparing apples and oranges. XRCD is a mastering process. SACD is a medium. An SACD can sound great or lousy, depending on how it's mastered. I predict that someday JVC will come out with XRSACDs, which will sound demonstrably better than run-of-the-mill SACDs. And cost more.
not my comparison Bomarc it was Loayuap original comments that sparked the question. I know the difference between the two but it is still releveant to make comparrsions assuming equal equipment is used in the comparrsion.

World class SACD verves world class redbook playing XRCD. Loayuap was making a comparrison for which I have an opinion but I was wondering about others so Loayuap could set this issue aside.

Should Loayuap pursue XRCD or should he/she buy and SACD player and spend less on his software purchases? I think this was part of the original question.

cd
Sorry, cd, if I put more into your brief post than was there. I'd expect that a well-mastered low-resolution disc will always be better than a not-so-well-mastered high-resolution disc. I'd also expect that two identically mastered discs, one CD and one SACD, would sound remarkably similar.

The trouble with comparisons to date is that there's no way to know whether you're really comparing identical masterings. It takes very little tweaking to make two otherwise identical recordings sound quite different. Even when you've got a double-layered disc with DSD and Redbook versions, you can't be sure that somebody didn't nudge something somewhere. Some people have even suggested that record companies may intentionally tweak the sound of SACDs to make them sound dramatically different. I'm not so conspiratorial. All you need is one engineer to say, "Hey, this sounds good, let's try it."
Fellow Audiogoner,

I started this question because I really want to buy most of the classical XRCD by JVC but just found I will be spending too much on all the music I already owned (by other artists). I guess JVC is really tageting their products to the Audiophile only (like the current high priced LP). I still think JVC can do much better sales by lowering the price like Telarc did on SACD. Here is my points:

1. In classical XRCD (sorry I don't know too much about other genre), most of the released disc have less than 40 minutes of total time. One disc even has less than 30 min.
I don't think there is any technical difficulty to add more tracks on these discs unless JVC wants to let consumer has the impression of "LP".

2. At least in classical dics, all are re-issued which means JVC does not have to pay premium to some current super stars. Though I don't know how much JVC has to pay for the copyright.

3. Why DVD is so popular just in a year or two? Because it's under $20 per disc. Why laserdics has never succeeded in mainsteam? Because it maintained at least $30 per dics. Both mediums are superior than VHS tape but now everybody buy DVD.

Of course, if the artist is the most important factor of your decision, no argument. Buy it, XRCD or SACD, or even redbook CD. After all, there is noly one FRITZ REINER and only one JASCHA HEIFETZ.

In this fast changing Hi-Fi world, one product can be superior than other but may disappear in a year or two.
Laoyuap: I don't know why Telarc lowered its prices on SACDs. Maybe they think the extra volume of sales will more than make up for the unit loss, or maybe they're just trying to move back inventory. I tend to assume that when a company like JVC prices a product, it knows what it's doing. Doesn't mean they're always right, but it is their business.

To your other points, the 40-minute CD is not unique to JVC. A lot of jazz and pop CDs have added bonus tracks or alternate takes, but many others haven't. Obviously, such additions would be less appealing to the classical market. And they would increase the licensing fees JVC would have to pay.

There are a lot of things on the market that cost more and aren't really any better. XRCDs, as a general rule, are better. Whether they're worth it to you is a personal judgment. I'd certainly recommend that you try out the XRCD version of a few old favorites, just to see.