The plight of SACD....


Venturing into a local Audio Supermarket chain the other day...I found the latest advancement in digital audio relegated to a cheesy Kiosk in the very back of the store...complete with a Bose cube set-up...and the new Stones hybrid of "Got Live If you want it" (a dismal live recording regardless of format) blaring to a very disinterested public...no wonder average Joe aint buyin'...

Even with Sony "dumbing down" SACD/dvd players to the sub $500 level...without the software catalog to support it...and with the majority of the public A)satisfied with current redbook sound and B)not possessing even moderate midfi audio sytems to hear the sonic benefits...it appears SACD is going to be the next DAT commerical failure...ditto for DVD-Audio...these new products are not "market driven"...they are being forced on consumers...

The majority are not audiophiles let alone audio enthusiasts...accurate or improved sonics do not play an important role in their lives...redbook became dominant because its main competitor at the time was not the LP but the pre-recorded cassette...a dreadful format made worse by Dolby B...the Compact Disc won out but any digital format at the time would have...it offered convenience,portability,and eventually...compatability...

As someone who has invested a small amount in a SACD player and software...and was one of the first on my block to have a CD player...I have waited almost 20yrs for a digital
format that gives a hi-end analog system a run for its money...that day is both here and gone...I predict that SACD will remain a fringe format...similiar to DAT...in that
it will live on in professional applications...and have a small loyal following that truly appreciates its greatness...heres to hoping Im wrong...
128x128phasecorrect
Have fun with 16/44.1.

I'm sticking with vinyl. If they can't get digital to sound better than vinyl after 22 years, and they can't get a higher resolution format to do it either, then they ain't gonna do it. Especially if the public isn't buying. The digital future is MP3 or something like it. You already got the best you're gonna get. The joke was played 22 years ago. Alot fell for it, and some didn't. I didn't think the joke was funny in 1981, and I don't think it's funny now.

If the major music companies can't get SACD or DVD-A to go over, then they will assume that there is no demand for a hi-rez format. They will just make some kind of suitable copy protection for whatever format they decide upon, which will likely be a compressed format for portable entertainment purposes(like MP3).

The fact is, you wanted your "Perfect sound forever", and you got it(?). You scorned the vinyl world, and embraced the digital devil. Now you have to live with it.

There is still a "sub-culture" in high end, known as "analog". These are the people getting the most from their source material. They are still being called "anachronists", "vinyl fetishists", "nostalgists", and "Luddites". I know, because I have to take that regularly.

At this time, there is, without a doubt, somewhat of a vinyl re-surgence. If enough went this route, there could be enough demand to keep a steady flow of new vinyl, and analog gear for the high end.

I think that this is what we should do. It will give us better sound, and eliminate the "angst" over new digital formats and copy protection crap.

Just how many times oversampling will it take to convince you that it just isn't going to happen? Oversampling, upsampling, downsampling, interpolation, no upsampling, jitter reducers, digital lenses, 1-bit, 20 bit, 24 bit, DSD, tube dacs, green pens, Buddhist chants. It just is not going to happen, folks. Time to wake up from the bad dream.

Get into analog, and there is your hi-rez format, just where it has always been.

I know this is hard medicine, but what do you think us vinyl guys have been having to swallow for over 20 years? We've watched all the music dry up, and go to digital formats. We've seen cost increases and less selection of our analog gear. We've borne the brunt of scorn from our fellow audiophiles. It hasn't been easy for us, but we've kept the vinyl flame alive for all of you, so that when this point came, there would be somewhere to go. If we hadn't done that, there would be no analog refuge from this digital crap-storm.

Join the analog resurgence, and make that the "new" hi-rez format that the manufacturers will support.

Just my 2 cents.
Sadly I may have to agree with you. I ducked into the Sam Goody store at the nearest mall yesterday and asked the 16 year old nerd if they were stocking super audio cd's. His reply was "what?'. I repeated myself "are you stocking super audio cd's?" His answer was " is that the name of the band?"

It is a shame. Anybody that grew up on rock/pop should have the experience of listening to CCR's version of "I Heard It Through the Grapevine" and Bruce Cockburn's Anything Anytime Anywhere Singles 1979-2002 in its entirety on SACD through a high end stereo system. It will make you realize all over again why you fell in love with music.
TWL, with all due respect, not everyone thinks LP is the greatest, I do not diminish it's sonic performace, but I do not miss using LP's in the least nor have a desire to start using it. All source format's have their drawbacks.
Hi Phase,

Thanks for your post on my thread,"Want to get excited about SACD again"..a week or so ago.

God, I wish someone with power at Sony was reading several of the recent threads about SACD. Many good thoughts have been written and obvious interest/support of the format.