A great bunch of answers, a pleasure to learn from.
I've owned four one-box players, two transports and two DACs, and I've used one of the players as a transport. My most recent DAC was a clear step up, first with a player as transport, then with a pure transport once I had sold the player. The final configuration was much the best, I thought. In other words, the transport made a great difference, in speed, articulation and soundstage, in this case.
Digital cables also make a great difference, but if you limit yourself to considering ones and zeros then cables are voodoo too.
If differences can be perceived, but they don't show up on instruments, then we haven't learned what or how to measure yet. Just yesterday I read on Richard Sequerra's site a wonderfully lucid explanation of why and how "inaudible" frequencies, by intermodulation, affect what we hear.
I've owned four one-box players, two transports and two DACs, and I've used one of the players as a transport. My most recent DAC was a clear step up, first with a player as transport, then with a pure transport once I had sold the player. The final configuration was much the best, I thought. In other words, the transport made a great difference, in speed, articulation and soundstage, in this case.
Digital cables also make a great difference, but if you limit yourself to considering ones and zeros then cables are voodoo too.
If differences can be perceived, but they don't show up on instruments, then we haven't learned what or how to measure yet. Just yesterday I read on Richard Sequerra's site a wonderfully lucid explanation of why and how "inaudible" frequencies, by intermodulation, affect what we hear.