EMM Labs on Bad Redbook


For those who have heard or own the Philips/EMM combo, how does it do with those compressed, veiled redbook discs from the 80s and early 90s? Take the Beatles' White Album or the Stones' Exile on Main Street as examples. How close can the Meitner gear get recordings like this to vinyl?

Thoughts and comments would be greatly appreciated.
bsal
read this:

http://www.audiocircle.com/circles/viewtopic.php?p=67741#67741
VVrinc: I have never purchased anything or spoken with Mike from Audio Federation. However, I have read many of his comments and have always found them very articulate, helpful, and sincere. I have noticed that when someone asks for a comp. between two products Mike will do a fine job of describing the attributes of both. In my opinion, Mike has written some of the most descriptive posts on the Audio Aero Capitole, the Audio Note 3.1 and 4.1 DACs, the Tenor Hybrids, and the Lamm M1.1s. I don't know how you could have gleaned that Mike implied that products other than those he sells are "Crap." I don't see it. Given the peevish and uptight tone of your post and your choice of words, my recommendation to you is a little extra fiber in your diet.

It annoys me to no end when a guy takes his time to offer some of his experience (from which many of us benefit) then is treated to a churlish post as thanks. VVinc, I am sure your heart is in the right place. However, the issue you address isn't in Mike's post. So your comment is more than incorrect - it's irrelavent. Brooks
i agree on Mike from Audiofederation.....he is as even-handed with his comments as they come.....whether he sells it or not. there have been times in the past when he has disagreed with my opinions but over time i came to pretty much see his viewpoint....and yet he was never 'over the top' defending his position (even if i may have been).

i do own the Meitner combo and before that the Linn CD-12. both are in that 'top class' of redbook players. i have plenty of mid to late 80's cd's that did almost peel the paint off my walls when i owned my Levinson #37 and #360S. with the CD-12 and even more the Meitner.....a certain refinement is extracted from those brittle bits......somehow this latest generation of top redbook performers has somewhat broken thru the prior ceiling of performance on redbook. why? possibly the transports and jitter handling approaches of these machines overcomes the sloppy mastering and pressing of early cd's.

i put the Audio Note and Audio Aero cdp's in a different catagory.....they do some things to simply avoid the resolution and frequency extention that allows that 'digititus' to happen.....at least that is my perception from listening. that is possibly not totally fair.....it may be better to say that those two cdp's don't have a digital edge.....but also don't quite have the resolution or frequency extention of the very best current cdp's and dac's that also don't sound 'digital'.