508 18 bit upgrade or just add a dac, benchmark?


Just got a Meridian 508 18 bit. I got it as an upgrade from my vernerable NAD 540. I was hoping that the Meridian would be a warmer, fuller, richer sound with more bass. Although it is a bit warmer than the NAD it is still not as full and warm as my uncle's Meridian 506 16 bit.

My system is a bit on the bright side (I think it may have more to do with the room acoustics than the components...hardwood floors). Some of my favorite punk rock sounds a little compressed without much seperation. While the Meridian is a little more relaxed than the NAD It needs to be more smooth to make long listening enjoyable. And the bass doesn't seem to be much better than the NAD...I thought Meridian were supposed to have great bass?

My system is the 508 cd player, Musical Fidelity 300A 150watt integrated amp, and Vienna Acoustics 2way Bachs speakers. The speaker wires are the audioquest CV-4 and the interconnects are the audioquest Corals.

I guess my question is, do I go for the Meridian 24 bit DAC upgrade (still $750 through Meridian) or do I go with an outboard DAC, possibly the new Benchmark or Meridian 566. Maybe I chuck the Meridian all together and get something completely different.

Any bit of input would be great...I just want to be able to listen to my music for more than an hour without being irritated.

-thanks, sean
seanbaik
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Rainchild,

Great info. I just do happen to have the Green Day stuff. But man, the Iron Maiden and Scorpions stuff I haven't heard or even thought about them since Junior High. I'll have to revisit a bit of my youth.

The last few days I've found some improvement with speaker placement. The VA Bachs seem extremely sensitive, but with a tuned port design I shouldn't be surprised.

I don't mind long responses when the quality of the content is good. I particularly like the tip about taping my wife's voice. I think that's brilliant! Thanks again Rainchild.

And I agree with you about Rock's lack of appreciation. It seems to me, great music is great music whether its Motorhead or Mozart. And all good music deserves to be reproduced faithfully.
No Problem, also test the polarity of your speakers connection. Revise the +/- and see what you get. Scorpions and Iron Maiden are the materials we listen for years and we usually remember things better back in high-school days don't we.
Yes, but there's quite a few things about high school many of us would like to forget.

There's also quite a lot about high school that many of us can't remember, no matter how much Iron Maiden and Scorpions we listen to.

I'll play around with polarity tonight. Rainchild, what speaker wires and interconnects are you using?
One thing that I wanted to point out was that a lot of the above bands mentioned produced better sounding music than various CD issues would have us believe. Joy Division LP's sound fine as do the first couple PIL records. In fact if you have Metal Box by PIL(3 x 45 RPM records) then you have one heaping pile o' sonic goodness! However, with many of these bands the CD issues have been terrible transfers. I find it too bad that so much energy is spent into transferring what I consider inferior music because it's "audiophile" approved. There is a ton of horrid jazz and boring classical that make any audio show you go to a truly pain giving experience.
I think it's great that the Clash have gotten enough "classic" status to have gotten remastered into better sounding CD's. It sure would be nice if there were more activity like that happening. Things like the Amphetamine Reptile catalog(Cows, Helmet, God Bullies etc) have never been well represented digitally. Again, some of the LP's sound great so it ain't the low budget recordings. There have been some decently recorded music with cheap equipment. See Steve Albini's comments concerning this.

It's the quality of the CD's mastering that make so many of us go around in circles trying to wring more sound out of them.

While I got into punk to escape the sort of music Rainchild is recommending above, it's actually pleasing to me to hear him recommending various rock music and not the usual "audiofool" suspects except for that Floyd. Man, I lived through that in the 70's and while I won't diss the utter genius of that record, I can't hear it without my sphincter clenching. Still I'd rather hear someone talking about listening to the Chili Peppers or Scorpion's than Belafonte or the ugh, Weavers.

My test discs include Boredoms "Super Roots 7" and "Pop Tatari", Spiritualized's "Ladies and Gentleman", Can "Monster Movie", Butthole Surfers "Locust Abortion Technician" (talk about wringing a lot of sound out of recording on 8 tracks in your kitchen), Pere Ubu's "Modern Dance", Velvet Underground's "Sister Ray" (a real test of resolution in your system), and Nurse with Wound's "Sylvie and Babs" and Radiohead's "Kid A". There's plenty of other underground discs that have various well recorded sounds to hear since some had good masters or have been remastered decently.

Like you Seanbaik, I have some long in the tooth digital that I'm in the process of researching to upgrade. Do I get a DAC? And like you I want a sound that's not too harsh in the upper registers(like I said those digital punk masters can be less than steller) but capturing the necessary dynamics and attack.

Of course my system is all tubes except for the CD Player. My system was solid state but that has changed over time. And I ain't never looking back.
I'm thinking of taking steaksters advice and trying some ERS paper in my CDP (Micromega Stage).