508 18 bit upgrade or just add a dac, benchmark?


Just got a Meridian 508 18 bit. I got it as an upgrade from my vernerable NAD 540. I was hoping that the Meridian would be a warmer, fuller, richer sound with more bass. Although it is a bit warmer than the NAD it is still not as full and warm as my uncle's Meridian 506 16 bit.

My system is a bit on the bright side (I think it may have more to do with the room acoustics than the components...hardwood floors). Some of my favorite punk rock sounds a little compressed without much seperation. While the Meridian is a little more relaxed than the NAD It needs to be more smooth to make long listening enjoyable. And the bass doesn't seem to be much better than the NAD...I thought Meridian were supposed to have great bass?

My system is the 508 cd player, Musical Fidelity 300A 150watt integrated amp, and Vienna Acoustics 2way Bachs speakers. The speaker wires are the audioquest CV-4 and the interconnects are the audioquest Corals.

I guess my question is, do I go for the Meridian 24 bit DAC upgrade (still $750 through Meridian) or do I go with an outboard DAC, possibly the new Benchmark or Meridian 566. Maybe I chuck the Meridian all together and get something completely different.

Any bit of input would be great...I just want to be able to listen to my music for more than an hour without being irritated.

-thanks, sean
seanbaik
One thing that I wanted to point out was that a lot of the above bands mentioned produced better sounding music than various CD issues would have us believe. Joy Division LP's sound fine as do the first couple PIL records. In fact if you have Metal Box by PIL(3 x 45 RPM records) then you have one heaping pile o' sonic goodness! However, with many of these bands the CD issues have been terrible transfers. I find it too bad that so much energy is spent into transferring what I consider inferior music because it's "audiophile" approved. There is a ton of horrid jazz and boring classical that make any audio show you go to a truly pain giving experience.
I think it's great that the Clash have gotten enough "classic" status to have gotten remastered into better sounding CD's. It sure would be nice if there were more activity like that happening. Things like the Amphetamine Reptile catalog(Cows, Helmet, God Bullies etc) have never been well represented digitally. Again, some of the LP's sound great so it ain't the low budget recordings. There have been some decently recorded music with cheap equipment. See Steve Albini's comments concerning this.

It's the quality of the CD's mastering that make so many of us go around in circles trying to wring more sound out of them.

While I got into punk to escape the sort of music Rainchild is recommending above, it's actually pleasing to me to hear him recommending various rock music and not the usual "audiofool" suspects except for that Floyd. Man, I lived through that in the 70's and while I won't diss the utter genius of that record, I can't hear it without my sphincter clenching. Still I'd rather hear someone talking about listening to the Chili Peppers or Scorpion's than Belafonte or the ugh, Weavers.

My test discs include Boredoms "Super Roots 7" and "Pop Tatari", Spiritualized's "Ladies and Gentleman", Can "Monster Movie", Butthole Surfers "Locust Abortion Technician" (talk about wringing a lot of sound out of recording on 8 tracks in your kitchen), Pere Ubu's "Modern Dance", Velvet Underground's "Sister Ray" (a real test of resolution in your system), and Nurse with Wound's "Sylvie and Babs" and Radiohead's "Kid A". There's plenty of other underground discs that have various well recorded sounds to hear since some had good masters or have been remastered decently.

Like you Seanbaik, I have some long in the tooth digital that I'm in the process of researching to upgrade. Do I get a DAC? And like you I want a sound that's not too harsh in the upper registers(like I said those digital punk masters can be less than steller) but capturing the necessary dynamics and attack.

Of course my system is all tubes except for the CD Player. My system was solid state but that has changed over time. And I ain't never looking back.
I'm thinking of taking steaksters advice and trying some ERS paper in my CDP (Micromega Stage).
I just want to be able to listen to my music for more than an hour without being irritated. That's what you said.

My friend, you need not to switch your equipment, but your musical preference! Try Smooth Jazz at moderate volume! No Headaches! ;)
Smooth jazz may equal no headaches, but for me it would probably also equal no head, mostly because of the 9mm I'd to blow brains out if I had to listen to that for an hour.

What exactly is ERS paper...I guess I'll do a search.

Fetch, maybe that's the way to go- analogue. It's true, my friend has a lot of the music I like on vinyl and they sound pretty good on his very long into tooth technics+sony set-up. Didn't realize they could screw it up so much in the transfer to digital. Great test choices by the way. Personally, I like to use some of my worst discs to test equipment. There's a few tracks on Pixies Dolittle that do the trick (Debaser). And basically all of Jesus and Mary Chain's Psychocandy. As bad as that disc sounds I still have it on frequent rotation...good music trumps bad sound. Wish it wasn't quite so awful. Good to find some punk rock loving fools out there in the audiophile world!
Seanbaik,

I'm with you man! I'd get a shotgun and pull a Kurt Cobain if I had to listen to smooth jazz! I remember some old audiophile who had me over to show off his system and he played the GRP All-Stars (don't ask just be very afraid) and it nearly killed me. I had a pasted on smile and yes, the system sounded great but I couldn't concentrate because the music was so bad! Owcha! And my tastes run far and wide and I'm a classical aficionado as well. I used to be a classical buyer for Tower records. But for me the music is always first and the recording quality just is what it is. I've never bought a record for good sound and never will.

As for your digital woes, believe me, a cheap turntable will take you far away from the land of digititis. I lived quite happily for with a Dual 505 turntable that had a Denon 165 cartridge on it(total cost was $250 for both) for quite awhile. It made a lot of music and even though I have upgraded to an Oracle I never felt that old combo was embarassed. There is still tons of vinyl out there to be had cheap and those old punk records sound great. So many memories, like the time I *sniff* blew out one of my cheap speakers playing The Stooges "Funhouse" at maximum volume while utterly intoxicated. Those were the days!

ERS paper is some magnetically damping something or other that they apply inside of components to make 'em sound better. It's supposed to work pretty well.

Get a cheap table and spin away! That'll cure those digital blues! I have the 12" of Jesus and Mary Chain's "Never Understand" and that thing is sonic bliss! Great stuff. I lost interest in that band when they lost interest in giant walls of feedback and distortion. So I moved on to Spaceman 3.

Let us know if you decide to get a 'table.