Based on the comments from Bigtee and Eldartford, it makes me wonder if the current state of [b]commercial[/b] high-end is just a generational anomaly? It seems that high-end may be retreating its [b]DIY roots[/b]. Which isn't really a bad thing. I can't afford to go to a B&M store and plunk down $4k or more on a component. I value competent designs, good sonic performance, good value, and good reliability.
SACD is likely still born unless you are looking for analog replacements with unamplified acoustic music (Read: Classical, Jazz, and Folk/Ethnic). Or reissues of rock/pop past recordings targeted to "baby boomers" as analog replacements. SACD has always been dead as far as new electronic music recordings are concerned.
Except for new classical recordings, the future or current and new recordings will likely hold new 1. redbook, 2. mp3 (and/or DVD or its replacement), and (in some cases) 3. vinyl LP. It's a shame, since I would purchase ALL of my digital on SACD (single player or hybrid, doesn't matter) if I could. But I can't. Grrr.
What really gets me is when "they" overprocess a redbook CD and sqash the life/purity/dynamics out of it. That's very sad. something is wrong people when 320kbps (equivalent) mp3, 16/44.1 redbook CD, and a (compressed) Dolby Digital 5.1 recording all sound the same. In lots of cases we aren't getting the full resolution capabilities of 16/44.1!! It's more like a mp3 "upsampled" to redbook. So sad.
SACD is likely still born unless you are looking for analog replacements with unamplified acoustic music (Read: Classical, Jazz, and Folk/Ethnic). Or reissues of rock/pop past recordings targeted to "baby boomers" as analog replacements. SACD has always been dead as far as new electronic music recordings are concerned.
Except for new classical recordings, the future or current and new recordings will likely hold new 1. redbook, 2. mp3 (and/or DVD or its replacement), and (in some cases) 3. vinyl LP. It's a shame, since I would purchase ALL of my digital on SACD (single player or hybrid, doesn't matter) if I could. But I can't. Grrr.
What really gets me is when "they" overprocess a redbook CD and sqash the life/purity/dynamics out of it. That's very sad. something is wrong people when 320kbps (equivalent) mp3, 16/44.1 redbook CD, and a (compressed) Dolby Digital 5.1 recording all sound the same. In lots of cases we aren't getting the full resolution capabilities of 16/44.1!! It's more like a mp3 "upsampled" to redbook. So sad.