JD, I think it is indeed possible to have too much female body in certain circumstances, but like you, if I read you right, I don't like to be short-changed either.
Pops, I often do it the other way around (that downunder thing), in that I often start too close to the wall and move it out listening for how the soundstage opens up and takes the correct shape, but looking for the point at which the voice starts to "fall apart" in terms of its palpability or body.
Pops, I often do it the other way around (that downunder thing), in that I often start too close to the wall and move it out listening for how the soundstage opens up and takes the correct shape, but looking for the point at which the voice starts to "fall apart" in terms of its palpability or body.