Thanks all for the great advice!
I just got a Bel Canto DAC 1.1 yesterday and the bass I'm getting now is unbelievable. Very detailed, tight and deep. I'm even more hesitant to move the sub now. I failed to mention that the alternative to leaving the sub where it is, is running 16 foot speaker cables. Maybe not such a bad option after all.
Wirehead, I researched subwoofer setup articles on the net and found several that advocated your crawl and listen approach. I may do it just out of curiosity. I have to know now! I'll make sure I lock all doors first. :)
Chas, thanks for the detailed procedures on matching gain and crossovers. How would phase adjustments play into this? Should I initially leave the phase at 0°? Or immediately change it to 90°, or just find what SOUNDS right?
Sugarbrie. Unfortunately, I don't have the option of placing the sub in a corner. I have dressers and an HT equipment rack occupying those areas. In my room, I have found your idea of lower crossover settings matched with increased volume to yield the best results. Higher crossover settings always muddied up the lower midrange.
I just got a Bel Canto DAC 1.1 yesterday and the bass I'm getting now is unbelievable. Very detailed, tight and deep. I'm even more hesitant to move the sub now. I failed to mention that the alternative to leaving the sub where it is, is running 16 foot speaker cables. Maybe not such a bad option after all.
Wirehead, I researched subwoofer setup articles on the net and found several that advocated your crawl and listen approach. I may do it just out of curiosity. I have to know now! I'll make sure I lock all doors first. :)
Chas, thanks for the detailed procedures on matching gain and crossovers. How would phase adjustments play into this? Should I initially leave the phase at 0°? Or immediately change it to 90°, or just find what SOUNDS right?
Sugarbrie. Unfortunately, I don't have the option of placing the sub in a corner. I have dressers and an HT equipment rack occupying those areas. In my room, I have found your idea of lower crossover settings matched with increased volume to yield the best results. Higher crossover settings always muddied up the lower midrange.