Which crossover should I buy?


I've successfully bi-amped my speakers and it sounds great. Only thing is, the crossover I'm using is borrowed from a friend, so I'm in the market for a new 2-way crossover for myself. Anybody have any suggestions? I'm looking to spend up to $750 for the best I can get at around that price, and I'm also open to used units as well. The one I'm using now is the Ashley X1001. It sounds fine (ie it blends well), but it's a bit lacking in punch.
The gear I'm using: one pair Linn floorstanding 2 ways (1 tweeter 2 6" woofers each speaker), Anthem AVM2 preamp, and for power, I can use any combination of a Conrad Johnson 2100, Counterpoint 1A, Counterpoint SA100, Acurus 100, and Anthem MCA2. All are 100w except for the Anthem which is 200w.
This is mostly for music (jazz, r+b, rock) and movies are a far second.
Also, does anybody want to describe their biamp setup and how they got it to work successfully?
Thanks.
ktsteamer
ed, what makes the marchand better is the sound... ;~) just kidding, i really have no in-depth experience w/the bryston. accolades from others who *have* heard both, plus the features & price, were enough for me.

regarding stepped attenuators, they are available for the marchand, but phil marchand said not to bother, i wouldn't be able to hear any difference. he says he has to offer them because some folks aren't interested in his product, otherwise. i also asked him about balanced vs single-ended. he said that if you get the xm-9 balanced, it is a true balanced design, different from the single-ended unit, not just w/different connectors. he then went on to say that it is only worthwhile if you have a noise problem, otherwise it offers no sonic improvements. of course, if your amp & pre are configured in balanced-only mode, then it also makes sense to go this way.

re: plug-in x-over frequency modules, i much prefer the simplicity & lower cost of doing it this way, as opposed to having a switch. it only takes maybe 3 minutes, & i do it *so* infrequently, that it's not really an issue.

i also much prefer having a volume pot at the cross-over frequency - this really makes it easy to match different subs w/different speakers, in different rooms. w/my present set-up, the increased clarity, detail & smoothed frequency response (confirmed w/a pink noise generator & spectrum analyzer) when the x-over volume pot is set to -2db, is really noticeable.

regarding use of i/c's vs op-amps, in this day & age, i think it's more of an intellectual argument, w/no real-world meaning - plenty of outstanding audio products w/op-amps. they *can* offer sonic benefits to a savvy designer...

don't get me wrong, i'm sure the bryston is an outstanding unit. it was one of my 3 choices (the other being a db systems unit). it just didn't make sense to me to spend the extra money when there didn't seem to be any significant sonic improvements to be had, & when it was actually less flexible for my purposes, w/o the x-over volume pot. i *can* honestly say, tho, that i wouldn't trade my unit straight-across for a bryston, fwiw... ;~)

regards, doug s.

oh yeah, ed, regarding ktsteamer's rig, i agree that the best solution for the linns would seem to be using their own active hardware...

doug s.

sedond: i'm havin' a reel hard time understandin' yew. wood yew be kindanuf to return to yur native tung? -cfb
hi kelly,

i guess some folks at a-gon are more equal than others - when i attempt to post to the forums
in my "native tung", the posts get rejected, as not being appropriate language for such a forum.
what' your secret - do i need knee-pads? ;~)

regards, dug seed in