I have a simple Ratshack SPL meter/tripod and Stereophile TestCD with 1/3 octave warble tones, and a rough correction curve for the microphone response.
(close enough for this purpose)
BTW, this greatly helps in finding the optimum setting for the X-30 variable phase control.
It's interesting to watch the cancellation frequencies slide up or down the spectrum as the control is rotated.
Differences of 10 degrees rotation can be very significant at some frequencies.
Also, moving the main speakers by as little as an inch or two can make a large difference in the upperbass balance and smoothness.
I was able to get ruler flat response(+/-0db) from 200hz down to 80hz simply by moving the main speakers a specific distance from the front wall.(37" in my case)
Other positions resulted in windows as large as 6db in this range!
The difference this makes in overall bass transparency can't be overstated, especially if the low-midbass maximum is reasonably close to the reference level.(difficult compromise between extension and room-boom)
I'll be installing a set of lowbass, midbass and midrange traps this weekend. If the measurements are promising, maybe we can construct some for your room.
(the 2'x8'x4" paneltraps cost about $35 each to build)