First off, thank you to Sean and Chuckie for your kind words. Whadda ya think guys - do I owe them a nice big discount next go-round, or what??
I'd have to agree with Plato that overall the InnerSound Eros outperforms the stock Dynastat. The bass section of the Dynastat - in particular the cabinet itself - is in my opinion the weak link. I do a few tweaks that help out a bit, but that transmission line bass of the Eros is superb.
Getting the Dynastats set up right is much more difficult and involving than setting up conventional speakers or full-range electrostats. This is true of any electrostatic/dynamic hybrid. The bias control, brilliance control, and bass level control all have to be set right for your listening position (and your taste) in your room.
I would say the Eros is dangerous competition for the much more expensive Martin Prodigy. I confess, however, that I do like the wide radiation pattern of the Sound Lab speakers. I've made a few suggestions to Sound Lab regarding an improved bass section for the Dynastat, but a major redesign would probably push the price up significantly.
Amplifier matching is critical with the big full-range Sound Labs. The best bang-for-the-buck amps I have found so far are the InnerSound amps, which I sell (I don't sell their speakers, at least not yet).
I've encountered a couple of setups where the big Sound Labs were bloated in the bass. By far the worst was at 2002 CES, where the room's walls were so flimsy you could put your hand on the walls and feel them vibrating. That room was hopeless. In other rooms, I've found that moving the listening position helped a great deal.
One of my customers plays violin in a symphony orchestra. His previous speaker was a highly customized pair of Quad 57's, which he said were the only speaker he'd heard get violin right. When he listened to the big Sound Labs, he told me that not only did they get the violin right, but also cello and string bass, which was a first in his experience. Another one of my customers is a drummer, who told me the big Sound Labs have the best bottom-end definition of any speaker she's heard. Still another customer preferred the bottom end of the Sound Labs to that of his $40,000 Genesis system with something like sixteen servo-controlled woofers. I make mention of all this to point out that, when set up right (and assuming the room acoustic gods haven't cursed you), the big Sound Labs do some magical things in the bottom octave or two.
That being said, the dynamic range of the Eros is indeed greater than that of the big Sound Labs (unless you have really humongous amplifiers). Personally I prefer the package of attributes the big Sound Labs offer, but I respect the Eros a great deal.
Best wishes to you in your quest, Tweekerman!
I'd have to agree with Plato that overall the InnerSound Eros outperforms the stock Dynastat. The bass section of the Dynastat - in particular the cabinet itself - is in my opinion the weak link. I do a few tweaks that help out a bit, but that transmission line bass of the Eros is superb.
Getting the Dynastats set up right is much more difficult and involving than setting up conventional speakers or full-range electrostats. This is true of any electrostatic/dynamic hybrid. The bias control, brilliance control, and bass level control all have to be set right for your listening position (and your taste) in your room.
I would say the Eros is dangerous competition for the much more expensive Martin Prodigy. I confess, however, that I do like the wide radiation pattern of the Sound Lab speakers. I've made a few suggestions to Sound Lab regarding an improved bass section for the Dynastat, but a major redesign would probably push the price up significantly.
Amplifier matching is critical with the big full-range Sound Labs. The best bang-for-the-buck amps I have found so far are the InnerSound amps, which I sell (I don't sell their speakers, at least not yet).
I've encountered a couple of setups where the big Sound Labs were bloated in the bass. By far the worst was at 2002 CES, where the room's walls were so flimsy you could put your hand on the walls and feel them vibrating. That room was hopeless. In other rooms, I've found that moving the listening position helped a great deal.
One of my customers plays violin in a symphony orchestra. His previous speaker was a highly customized pair of Quad 57's, which he said were the only speaker he'd heard get violin right. When he listened to the big Sound Labs, he told me that not only did they get the violin right, but also cello and string bass, which was a first in his experience. Another one of my customers is a drummer, who told me the big Sound Labs have the best bottom-end definition of any speaker she's heard. Still another customer preferred the bottom end of the Sound Labs to that of his $40,000 Genesis system with something like sixteen servo-controlled woofers. I make mention of all this to point out that, when set up right (and assuming the room acoustic gods haven't cursed you), the big Sound Labs do some magical things in the bottom octave or two.
That being said, the dynamic range of the Eros is indeed greater than that of the big Sound Labs (unless you have really humongous amplifiers). Personally I prefer the package of attributes the big Sound Labs offer, but I respect the Eros a great deal.
Best wishes to you in your quest, Tweekerman!