I agree with Karls. Depending on the mains and their roll-off slope, it is typically best to "underlap" than to overlap. This is due to the fact that the mains and sub(s) will sum their total output by the time the sound gets to your listening position.
Even though the sub is not running at full steam ABOVE the cut-off frequency and the mains are not running at full steam BELOW the cut-off frequency, each would be contributing appr half of the total output. Kind of like how they take nearfield measurements from a woofer and then from the port / passive radiator and splice them together. Both are resonant within their own ranges but sum together to produce one final curve or output level.
I would also suggest keeping subs away from the corners of a room. All you'll get there is a boomy thud, massive room nodes and a complete lack of "quality" making it hard to blend to the mains. The only time that a sub should be corner mounted is if it has pathetically low output to begin with and you're trying to do "earthquake effects" for HT. Otherwise, forget about that type of installation for music reproduction.
Besides the "thuddiness", the low frequency sound waves now have a longer distance to travel coming all the way from the corner as compared to the mains that are probably situated closer to you. Due to the time delays involved, the bass would always seem to "lag behind" ( because it IS "lagging BEHIND" ) the rest of the music.
Try to situate the sub close to the mains and directly between them if at all possible. Not only does this minimize the reinforcement that occurs due to room gain in the corners, it tends to stabilize and focus the bass imagery. The amount of time delay between the various drivers is minimized, producing a more coherent sound wave that arrives at your ears within a few milliseconds of each other. Bass is far more natural due to relying on the drivers output rather than room reinforcement and blending to the mains is far simpler.
Once you get the basic package somewhat dialed in, you can experiment with moving the sub forward or back ( this affects the apparent bass "attack" and time of delivery ), fine tuning the crossover point, adjusting the output level, etc... Keep in mind that one adjustment will affect the other, so you'll have to decide how "picky" you want to get. Hope this helps... Sean
>
Even though the sub is not running at full steam ABOVE the cut-off frequency and the mains are not running at full steam BELOW the cut-off frequency, each would be contributing appr half of the total output. Kind of like how they take nearfield measurements from a woofer and then from the port / passive radiator and splice them together. Both are resonant within their own ranges but sum together to produce one final curve or output level.
I would also suggest keeping subs away from the corners of a room. All you'll get there is a boomy thud, massive room nodes and a complete lack of "quality" making it hard to blend to the mains. The only time that a sub should be corner mounted is if it has pathetically low output to begin with and you're trying to do "earthquake effects" for HT. Otherwise, forget about that type of installation for music reproduction.
Besides the "thuddiness", the low frequency sound waves now have a longer distance to travel coming all the way from the corner as compared to the mains that are probably situated closer to you. Due to the time delays involved, the bass would always seem to "lag behind" ( because it IS "lagging BEHIND" ) the rest of the music.
Try to situate the sub close to the mains and directly between them if at all possible. Not only does this minimize the reinforcement that occurs due to room gain in the corners, it tends to stabilize and focus the bass imagery. The amount of time delay between the various drivers is minimized, producing a more coherent sound wave that arrives at your ears within a few milliseconds of each other. Bass is far more natural due to relying on the drivers output rather than room reinforcement and blending to the mains is far simpler.
Once you get the basic package somewhat dialed in, you can experiment with moving the sub forward or back ( this affects the apparent bass "attack" and time of delivery ), fine tuning the crossover point, adjusting the output level, etc... Keep in mind that one adjustment will affect the other, so you'll have to decide how "picky" you want to get. Hope this helps... Sean
>