Audio vs. Other Reviews


Compared to reviewing in other industries, it seems that audio has very very few poor reviews, and I wonder what the difference is. I read music review magazines and they have no problem giving something one star and calling it horrible. I used to read computer game review magazines and still read a copy now and then, and they, too, have no problem trashing a bad game. In both cases, there is a lot of gradation as well - things throughout the spectrum. Every review doesn't end with, "You should check this out, because it may just be what you're looking for!" as the worst it might say.

In pricier categories, car magazines tend to be a fair amount more critical than audio reviews. They also do fairly massive head-to-head comparisons, comparing, say, 10 sport coupes in single go, and rating them, something we're always asking of, but rarely receiving from, audio magazines.

So why is it that basically every audio review is positive? I realize that often, if you read between the lines, the reviews give you a lot of reasons to perhaps steer clear, but why so subtle? Is it really so much harder to do a head-to-head comparison of 10 integrated amps than the same number of luxury sedans? If audio magazines fear advertisers backlash, how do the car magazines deal with the same thing?

Or is it just that, on average, audio components are very capable, and that criticizing them would be unfair?
kthomas
First, understand that Audio Mags depend on the sale of audio products for their very existance.

Second, I think the more reputable audio mags (see Stereophile and TAS), try to only review products they already like. This causes them to review everything pretty positively.

Third, always remember that giving negative press to any manufacturer does not help the magazine one iota financially.

Thus, take any review with a grain of salt. Personally I mainly read them for entertainment value.

The other thing that needs bearing in mind, is that certain audio components sound better with certain other audio components. You really need to demo components yourself in your system before making a buying decision (most audio mags stress this).

My 2c.

KF
While i agree with the two previous posts to a great extent, i'd also like to add that each one of the examples that you chose to list ( computer games, cars, etc... ) are all "stand-alone" products. In other words, you can judge a car or computer game on its' own merits. While the performance of each can be varied somewhat by the fuel used, speed of computer, neither of these type of products HAVE to have support from other components like a single piece of audio gear does. As such, much of an audio review will depend on how well the reviewer tryed to mate it to other components, varied cables, was able to narrow down exactly what was taking place in the system / each component in the system, etc... As such, audio reviewing is a LOT harder than simply trying out 10 different toasters, blenders, power tools, etc... and picking the "best" one. Sean
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In rating cars, I found the Lamborghini Diablo to be very poor in off-road rock climbing. It was even worse for hauling sheets of plywood home from Home Depot. In rating the Lincoln Locomotive and the Chevrolet Subdivision, I found them both very poor for road racing and drag racing. Perhaps they were not suited to my needs.
I agree with TOK20000 especially on the following point:

"They only review products they like." This is, of course, exactly what I do. I don't waste time listening to gear that is uncompelling.

Incidentally, it is usually possible to discern the difference between a product the reviewer is really taken with vs others. I have read many 'empty' rave reviews, but must admit that I have also enjoyed many reviews where smart savvy technical guys try to make sense out of superior performance for themselves.
To add to the above, I have also wondered if a reviewer tries a piece and doesn't like it, if they simply do not do a write up on it.