It makes some sense that since this is STREAMING and not standard USB transfer it could be subject to some "non-1-0" effects such as timing variation, power interference, etc... So, OK it is plausible that different USB cables sound different from one another.
Here's what makes no sense: The companies who make high end USB cables cannot possibly be designing them to address "timing variation." NO ONE really knows exactly what is going on with timing variation within a USB cable, how to measure it, or how to make a cable to address it. RFI and power issues maybe- but these companies are just altering the conductors in the cable (silver, copper), shielding, etc... based on their design of analog cables. So any difference in sound quality between cables should essentially be random.
Then you read stuff like "using our special blend of materials" or "everything in our cables makes a difference." And even worse, stuff like:
"switching to the ($200 USB) cable increased the soundstage depth and layering. Moving to the ($600 USB) cable was even more revelatory with more top end air and sparkle. But switching in the top of the line cable caused the boundaries of the room to truly disappear."
If the cable companies have no idea what they are doing when it comes to USB cables- and they don't because they can't possibly - then differences should not depend on price or on the use of exotic materials that make analog cables sound good.
Here's what makes no sense: The companies who make high end USB cables cannot possibly be designing them to address "timing variation." NO ONE really knows exactly what is going on with timing variation within a USB cable, how to measure it, or how to make a cable to address it. RFI and power issues maybe- but these companies are just altering the conductors in the cable (silver, copper), shielding, etc... based on their design of analog cables. So any difference in sound quality between cables should essentially be random.
Then you read stuff like "using our special blend of materials" or "everything in our cables makes a difference." And even worse, stuff like:
"switching to the ($200 USB) cable increased the soundstage depth and layering. Moving to the ($600 USB) cable was even more revelatory with more top end air and sparkle. But switching in the top of the line cable caused the boundaries of the room to truly disappear."
If the cable companies have no idea what they are doing when it comes to USB cables- and they don't because they can't possibly - then differences should not depend on price or on the use of exotic materials that make analog cables sound good.