I recall there was inherent technical improvements made to the CD mastering standards back in the mid 90's sometime that inherently changed how CDs were mastered to make better use of available dynamic range and perhaps also changes to how equalization was performed.
Do not recall the details, but perhaps others more familiar can elaborate.
The differences are clearly heard in most CDs since the mid 90's or so and older earlier generation CD recordings.
This was a clear technical improvement for the better as I recall and I would agree based on results.
However, then perhaps on a separate, but related front, the loudness wars kicked in as well, resulting in many recordings being taken to extremes in terms of overall loudness and more importantly associated clipping of waveforms to help achieve this goal, which most would consider a clear step in teh wrong direction in regards to sound quality.
So these days, like most days past, its largely a mixed bag. SOme recordings are well done and take proper advantage of teh technical refinements possible with modern recordings and others go the louder at all costs route, especially in the more pure pop music domain.
Loud recordings can present a larger challenge for home audio in terms of the power requirements needed for accurate playback, especially with a system that attempts to deliver the lowest octaves. CLipping and other forms of distortion can come into play more easily than ever with louder recordings.
I have found the best strategy these days is to throw the kitchen sink amp wise as needed at things to whatever extent necessary to insure against clipping at all costs. Class D amp technology is perhaps the best weapon that most might consider to address this. High efficiency speakers is another.
Only then can one expect to get the best possible results, for better or for worst, regardless of recording specifics.
Do not recall the details, but perhaps others more familiar can elaborate.
The differences are clearly heard in most CDs since the mid 90's or so and older earlier generation CD recordings.
This was a clear technical improvement for the better as I recall and I would agree based on results.
However, then perhaps on a separate, but related front, the loudness wars kicked in as well, resulting in many recordings being taken to extremes in terms of overall loudness and more importantly associated clipping of waveforms to help achieve this goal, which most would consider a clear step in teh wrong direction in regards to sound quality.
So these days, like most days past, its largely a mixed bag. SOme recordings are well done and take proper advantage of teh technical refinements possible with modern recordings and others go the louder at all costs route, especially in the more pure pop music domain.
Loud recordings can present a larger challenge for home audio in terms of the power requirements needed for accurate playback, especially with a system that attempts to deliver the lowest octaves. CLipping and other forms of distortion can come into play more easily than ever with louder recordings.
I have found the best strategy these days is to throw the kitchen sink amp wise as needed at things to whatever extent necessary to insure against clipping at all costs. Class D amp technology is perhaps the best weapon that most might consider to address this. High efficiency speakers is another.
Only then can one expect to get the best possible results, for better or for worst, regardless of recording specifics.