Distortion:
Gotta agree with the "bright = depth" assessment. The trick for me is finding the right cables to get the brightness down to a manageable level without getting in the way of the imaging and spatial presentation. I think I've got the idea now (don't have the cables yet but am working on them) looking to put them in sequentially (budgetary issues). When I put together the system I have now I was least knowledgeable about cables and thus have a mix. That'g going to change. Still. I stand behind the JMR recommendation. IMHO they throw a stage that is behind, in-front and well beyond the edges of the speaks. This is with a variety of hashy cables some of which were really muted in the high end. What I have now gives just a hint too much brightness. Not the speaker wire mind you -- it's the other bits. I've got two digital cables in-line as well as a lot of silver running from the analog outs to the amp -- hence the sparkle. Good insight though.
F7
Gotta agree with the "bright = depth" assessment. The trick for me is finding the right cables to get the brightness down to a manageable level without getting in the way of the imaging and spatial presentation. I think I've got the idea now (don't have the cables yet but am working on them) looking to put them in sequentially (budgetary issues). When I put together the system I have now I was least knowledgeable about cables and thus have a mix. That'g going to change. Still. I stand behind the JMR recommendation. IMHO they throw a stage that is behind, in-front and well beyond the edges of the speaks. This is with a variety of hashy cables some of which were really muted in the high end. What I have now gives just a hint too much brightness. Not the speaker wire mind you -- it's the other bits. I've got two digital cables in-line as well as a lot of silver running from the analog outs to the amp -- hence the sparkle. Good insight though.
F7