Donald Byrd



I recall reading a thread written by a young man who came into possession of a large collection of Donald Byrd records under very sad circumstances, his father had passed.

Although he was sad, he shared with us how incredible this new music was that he had inherited. He renewed my enthusiasm for Donald Byrd. Me and Donald go back a long way, all the way back to my beginning as a jazz fan. I consider him one of the "giants of jazz", and I bet even the Rok will agree on that.

True jazz giants continually evolve, and Donald's evolution is well established in my collection. He began with "hard bop", and next was "A New Perspective/ Donald Byrd band and voices", this was a big hit at that time. Although I liked every cut on that LP, "Christo Redentor" was my favorite.

Donald Byrd & the Blackbirds was his next stage of evolution. This time he featured a vocal group called "The Blackbirds" with his band. At this stage of his evolution, many of his long time fans revolted, "How dare he ruin pure jazz with a vocal group". I was one of them. After I expressed my indignation by selling the LP I had just purchased, I came around to liking it and couldn't find a new copy, but I'm human and that's the way it goes.

This is my list of samplers for Byrd's various stages of evolution that can be found on "youtube". "Fuego" is not only my example of Donald Byrd's "hard bop", it is the personification of "hard bop". "Byrd In Hand" featuring Pepper Adams on baritone sax is another favorite of mine. I especially like the cut "Here Am I", Pepper Adams really cooks on that baritone. While Gerry Mulligan is very well known, and considered by many to be the best jazz baritone, Pepper Adams also ranks very high in my book. "Street Lady" by Byrd was an album I wore out. "Donald Byrd & the Blackbirds" was the LP I didn't like initially, sold it, and then couldn't find a new copy when I decided it belonged in my collection.

Just as a food critic must sample many dishes to determine which one's he thinks are best, an audiophile has to sample many records and CD's to determine which one's belong in his collection. Maybe after sampling, you will determine some of this music belongs in your collection.

Enjoy the music.
orpheus10
I've not listened to it in a long time, but I remember liking Byrd and Burrell, "All Night Long" quite a bit.

My first experience with Byrd was on Garland's very fine "Soul Junction," tho I like the Byrdless "Groovy" better.

John
Hi John,
Since you mentioned Burrell,I have a CD "Motor City Scene"
With Bryd,Kenny Burrell,Paul Chambers,Pepper Adams, Tommy Flanagan and drummer Hey Lewis. It`s beautiful! well recorded also.
Regards,
I'll look for "Motor City Scene," Charles1dad.

On Burrell, I expect you've heard the nice Verve reissue of "Guitar Forms"?

John

Rockadanny, I can certainly respect your preference for Byrd as a sideman, instead of a leader. I just double checked my collection of LP's and CD's that feature Byrd as a "sideman".

He appeared with "Kenny Clark", on Bohemia After Dark;"Art Blakey", The Jazz Messengers; "Gene Ammons", Jammin With Gene; "Horace Silver", Six Pieces of Silver; "Sonny Clark", Sonny's Crib; "Pepper Adams", Out of this World; and "Hank Mobley", No Room For Squares. These are just the one's I have, he appears on many more as a sideman. Every last one of those albums consists of "deep in the pocket, heavy hitting jazz jams", while Donald Byrd also went into funk and soul as a leader.

I can see how the truest "connoisseurs" of jazz would make a statement such as yours.

Enjoy the music, it's all good.
My list would not be a list of who is the best, as O-10 has said that's a silly and impossible question to answer. My list, is a list of the difference makers. The seminal figures in Jazz. Just for fun, so put those daggers away!

1. The Creators - the people in and around New Orleans that created this music. I don't have a clue as to who they were, Jelly Roll Morton's protests notwithstanding. Without them, there is no Jazz.

2. Louis Armstrong - Took the music out of New Orleans and gave it to the world thru his talent and personality. A true ambassador. He may have been the only person that could do that.

3. Duke Ellington - elevated the music to a very sophisticated level. Showed it was more than just music for dance and speak-easy joints. Also a great Ambassador. Went on a world tour sponsered by the US State Dept. Played in the Soviet Union. One of the great composers of the 20th century. Period!

4. The be-bopers - Parker, Dizzy et al. Infused jazz with a new direction and engery at just the right time. Kept the music modern. Also expanded the audience.

5. Miles Davis - Took the music several new directions. Was involved in all the post bop movements. Brought in the young crowd as part of the audience. Fusion, cool etc..

6. The Players - these are all the people that give such enjoyment just by their high standard of play. here you will find players like, Sonny Rollins, Julian Adderly, Lee Morgan, Horace Silver and all the thousands more that have sustained the music thru the years.

7. Girl Singers - Gave Jazz a 'voice'! And what voices! Can't have any list about Jazz without Ella and Billie. They also opened the door for women in Jazz. As performers and as part of the audience. And like Brazilian sports super stars, they are recognized by their first names. Ella, Billie, Nina, Abbey, Sarah, Carmen, Dee Dee, They are, and that is, soooooooooooooo cool..

8. John Coltrane - Instrumental in taking Jazz a new direction that led to the Free and Advant-Garde movement. Wrong turn in my opinion. But great does not mean good. He was an important figure. Gotta give him his due.

9. Thelonious Monk - Unique. In a class by himself. Others wanted to follow, but COULD NOT. One of the great talents with a one of a kind musical instinct and personality. Made the cover of TIME, no small feat for a Jazz player. Once chewed Coleman Hawkins out. He makes the list for that alone. :)

10. The Germans - This refers to the immigrants from Europe, mostly German, mostly Jewish, who had the foresight and appreciation to record this great music. To encourage the players, to see things in the players that they didn't see in themselves. If not for them, we would have nothing to play on our gear. Because the powers that were at that time, had no interest in, or respect for, black music, and the players didn't have the wherewithall to do it. Jazz lovers owe them a debt that cannot be repaid.

For those that demand this - IMHO! :)
Cheers