Lrsky as for "beyond your limit" I meant that you were irritated about this subject. I think your personal attack proves that my presumption was correct. Mr. read everything as negative and take it personal.
When you get your ASL's together we'll have to compare them to my $2400 active speakers, see who knows what. That's probably the only way to see who's credentials stack up to mean the most.
As for the 3.7....with a little intuition clearly the CS6 is the coaxial version of the 3.6, it just costs about $3000 more than should to be a CS3.7. So its been difficult to make a speaker that fits the price point of an upgraded coaxial 3.6 when your choices are to make a slightly smaller 6 or a slightly bigger 2.3. This has a great deal to do with the delay of a 3.7. I wonder which of these variation it will be. And the fact the the 3.6 is still competitive with most of the Thiel line after 11 years has kept it running as has been said.
Lrsky any input on that?
I wonder if the other posters would be interested in knowing that you were the one who told me that the CS2.3 relies on the side walls to fill in the hole on axis in the midrange?
The other Cinematic_Systems/ Lrsky anecdote was the miswired CS7.2s that you "listened to extensively" before they left the factory. Were you just lying to me then?
And we got along so well and nice conversations on the phone back then.
So In the end we have a ex-thiel employee and 2 Thiel owners vs. an ex-thiel dealer.
Have to think this is a pretty thorough outline of the CS7.2, lastly I was wondering if someone could explain to me how my criticisms were any harsher than Lrsky's.
"I never liked the 3.6 as it embodies the flaws of most typical speakers of first order cross overs. Plus the midrange literally flies into pieces when over driven, ask Dreamworks in Nashville, if that isn't true."
Am I missing something? I'd like to know so I don't make this mistake again. I hate being the loudest clown.
When you get your ASL's together we'll have to compare them to my $2400 active speakers, see who knows what. That's probably the only way to see who's credentials stack up to mean the most.
As for the 3.7....with a little intuition clearly the CS6 is the coaxial version of the 3.6, it just costs about $3000 more than should to be a CS3.7. So its been difficult to make a speaker that fits the price point of an upgraded coaxial 3.6 when your choices are to make a slightly smaller 6 or a slightly bigger 2.3. This has a great deal to do with the delay of a 3.7. I wonder which of these variation it will be. And the fact the the 3.6 is still competitive with most of the Thiel line after 11 years has kept it running as has been said.
Lrsky any input on that?
I wonder if the other posters would be interested in knowing that you were the one who told me that the CS2.3 relies on the side walls to fill in the hole on axis in the midrange?
The other Cinematic_Systems/ Lrsky anecdote was the miswired CS7.2s that you "listened to extensively" before they left the factory. Were you just lying to me then?
And we got along so well and nice conversations on the phone back then.
So In the end we have a ex-thiel employee and 2 Thiel owners vs. an ex-thiel dealer.
Have to think this is a pretty thorough outline of the CS7.2, lastly I was wondering if someone could explain to me how my criticisms were any harsher than Lrsky's.
"I never liked the 3.6 as it embodies the flaws of most typical speakers of first order cross overs. Plus the midrange literally flies into pieces when over driven, ask Dreamworks in Nashville, if that isn't true."
Am I missing something? I'd like to know so I don't make this mistake again. I hate being the loudest clown.