I'll add my 2-cents about solid-state amps with 3.2s. I have an Edge NL12 driving them (& the Meitner DCC2/CDSD combo) with, to my ears, wonderfully compelling results. The bass & lower midrange areas that can sound punchy & pushy & fatiguing on many other highly acclaimed speakers I have heard &/or owned have absolute control on the 3.2s in my system. The bass is also completely integrated. It seems that the magic to the bass is the cabinet, which routes the bass to the rear ports, that seem to act like virtual woofers, but with a very natural presentation. There is a lifelike quality rivaled, in my experience, only by Apogee ribbons (my old Stages, in particular). It is a sound that just sinks into your soul. The mids/highs are at once silky but have body & depth. And there is that often-noted Kharma disappearing act that is better, I think, than other transparent speakers like Audio Physic. They make my smallish room sound much bigger & grander than it is. The 3.2s may be one of those miracle design accidents that come along once in a long, long while. (On this solid state tangent, I heard very fine results with larger pair of Kharma Ceramiques at GTT driven by a Nagra solid state amp). So, if you are not into tubes for whatever reason, don't think you cannot enjoy the 3.2s.
Kharma 3.2 to MidiGrand Upgade???
Anyone have experience in upgrading from the 3.2 CRM enigma to the Midi Grand Ceramiques w enigma?
What improvements/benefits can be had and you've experienced? Very interested in what is possible with low powered tube amps, specifically Lamm ML2.1's etc.
On paper the Midis are more efficient. Are they easier to drive than the 3.2's or does their impedance dip more significantly than with the 2 ways? Also interested in feedback regarding room size, bass integration, etc.
I'm interested also in any comments regarding the new ceramique sub and if its necessary / integrates well with the midis. I am seeking to be able to reach realistic symphonic levels with content loaded classical music and heavy electronica.
What improvements/benefits can be had and you've experienced? Very interested in what is possible with low powered tube amps, specifically Lamm ML2.1's etc.
On paper the Midis are more efficient. Are they easier to drive than the 3.2's or does their impedance dip more significantly than with the 2 ways? Also interested in feedback regarding room size, bass integration, etc.
I'm interested also in any comments regarding the new ceramique sub and if its necessary / integrates well with the midis. I am seeking to be able to reach realistic symphonic levels with content loaded classical music and heavy electronica.
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- 54 posts total
- 54 posts total