Alternatives to Revel Studios?


I'm currently getting back into audio after a few years away from the hobby, and I'm trying to get a new system put together within the next few months. My previous system was a Sony SCD-777ES into a Krell KAV-250p, with a Music Reference RM-9 amp, and Revel Studios for the speakers. I found the setup exceptionally enjoyable, though I do feel the speakers could have really taken advantage of better electronics. Unfortunately, I moved to a condo with no usable listening room, and sold the speakers.

As good as the Revels were, I can't help but wonder if I could do better this time around. I really don't want to get stuck playing the audiophile upgrade game, so I'm trying to explore all of my options before I buy anything. My current amps are Lamm M2.1s, and my source will most likely be an Audio Aero Capitole MKII running direct to the amps. My musical tastes are quite eclectic, though mostly electronic music, and classic through modern rock. I do listen to a bit of classical and jazz as well, but it isn't my main focus. Because of the music I listen to, solid bass extension and good dynamics are critical to my enjoyment, and a speaker with any tendencies towards harshenss wouldn't go well with my many questionably recorded discs.

My comfort level for speakers is in the $7k-$8k range, new or used, though for a truly mind blowing speaker I might be willing to spend up to double that. So far nothing I've heard under $50k is as enjoyable to me as the Revels have been. I've heard them in half a dozen systems, and have loved them every time. Is there any other speaker I should really look for, or am I on the right track buying another pair of Studios?
steve01s4
I have a Audio Aero Capitol 2 as well. I also use it direct with a Cary V12-R with the oil cap upgrade. My choice of speaker is the Verity Audio Fidelio. They have very nice tight bass and unreal midrange. The speaker has great detail even at low volume. Soundstage is wide and deep, but I suspect some of that is the Capitol. It is a true full range speaker. If you can you should listen to a pair- you will not be let down by the experience.
Thanks for the replies, guys.

Rbirke: I've heard the Aerial 10Ts in a very high end, tweaked out system, and they sounded very good. However, my ears preferred the Studios. I'm also a fan of the Revel styling, though I do agree the Aerials look very nice. As for the hot treble, I ran my Studios with the front and rear tweeters each down one notch in an untreated room, and found the sound to be balanced. With the controls in their center positions, I'll agree the sound was a little bright.

Sgr: I've heard the Salons in a few systems, and fortunately for my wallet, I actually prefer the Studios. Though the Salons are not bad by any means, to my ear the Studio sounds a bit more natural.

Kurt_tank: I'll agree that the RM-9 wasn't quite enough for them, but I never got around to upgrading it. (FWIW, I was planning on going with Krell FPB amps and a BAT tube pre at the time). The Lamm M2.1s are rated at 200 watts into 8 ohms, though the Stereophile measurements showed them producing significantly more. I was looking at amps in the 300-400 watt range, but when I heard the Lamms I was sold. The Studios were incredibly enjoyable to me, so much so that my first instinct was not to even waste time auditioning anything else. Since I've got the opportunity though, I'm going to check out all my options.

Eidolons are a speaker that's intrigued me, but I have never heard them. I've heard from a few sources that their bass might not be what I'm looking for, but if the rest of the sound is a significant upgrade, I might be able to overlook that. I'm pretty much married to the Lamm amps for quite some time, so if the Eidolons need more power than they can provide, I'd probably pass on them. How are the Eidolons' dynamics and soundstage? Those are big selling points for me, and I love the soundstage the Studios throw. I found their dynamics to be great but not excellent, but I think the amps were the limiting factor in my system.

Itsalldark: I don't know much at all about Verity speakers, I'll have to look into them and see if I can hear them locally. How long have you had your Capitole? Have there been any problems, or anything else I should know before buying one? I really want to go with the Meitner CDSD/DCC2 but I think it just costs too much right now. The Capitole seems to be among the best digital I've heard, but more enjoyable and "listenable" than most. It also seems more forgiving of poor recordings.
Steve01s4

To answer your questions:

I think the Lamm's would work acceptably with the Eidolons. I looked at the specs for the Lamm's and it apears that they have 200 wpc at 4 ohms, which is what the Eidolons (and the Studios) both have. (The RM9s would have been insufficient however. I heard the Kora Cosmos, another 100 wpc tube amp, and it sounded great on small scale jazz, but on larger scale pieces, it ran out of gas.) My opinion is that they will sound great with the Studios as well. In fact, it might even work better with the Studios than the Eidolons, but that is a guess on my part. (IMHO, I think the Eidolons are slightly harder to drive, even though the spec's indicate otherwise.)

The Eidolons do have incredible imaging and soundstaging, and yes, even better than the Studios. I will point out that they are a little difficult to set up properly. They really like being pulled well into the room. Their bass is good, very dynamic and very tight. However, it is not incredibly deep. It only goes a few Hz higher than the Studio, but it is enough to be noticable.
(As opposed to the Salon, which goes all the way down to 20 Hz, but you need a lot of power to make them work (probably double what you have) and they need a really large room to make them sound their best, or they can sound boomy.)

If I could trade staight across for the Eidolons, I would do so. (However, the Eidolons are a more expensive speaker than the Studio, in fact, almost double the cost new. $12K vx $22K). A pair of used Studios will cost you $6K-7K, and a used pair of Eidolons should cost between $10K-$12K, depending on condition or finish.

Two points I would like to bring up:

One, is that the Eidolons have been discontinued, and replaced with the Vision. (Which is nothing but a Eidolon with different (better?) drivers, I believe.) That is the main reason why you will see them popping up on Audiogon more in recent months. If you can avoid the Eidolon Diamonds, (Doubtful, as they are $26K used, and about $40K new), I have heard that they are even better than the regular Eidolon. (Check out the review on HiFi+).

Two, if really deep bass is really important to you, than maybe you should stick with the Studios. They are a really good speaker that does everything very well. (I don't think they are the best in any one area, but they don't do anything less than good either.) I like mine, a lot actually, and it would literally take a speaker like the Eidolons (at double the price) to get me to change.

Good Luck!
In the second to the last paragraph, I inadvertantly wrote the word... "avoid" the Eidolon Diamonds. It should have been "afford". (That is what comes from writing while one has a cold I suppose.) Sorry for the confusion.
I have the Revel Salons (10K used) in a medium sized room (15W X 22L X 8-14H) with lots of power (Bryston 7B-SST). The only speaker that I have heard that I liked more than the Salons was the Eidolon Diamonds. I really connected with these 2 speakers when I first heard them. They sounded right to my ears. I know what I like, so I bought the Salons immediately on A'gon. I could not afford the Eidolon Diamonds.

I did not hear the Studios but I was under the impression that the Salons were considered a little better (magazine reviews).

I work from home and listen to music about 8 hours a day. I am always blown away by the tunes through the Salons.