Can you ever go back and be happy?


My audiophile friends and I often discuss if we know any highenders who have great planar speakers (Soundlabs,Apogees,Magnepans) that could go back to a box enclosure speaker and could truely be satisfied with the sound of their system. We believe there is a special quality the way a well designed planar loads a room which just sounds more natural and real to us compared with a baffled speaker design. On to the question. Not including having to down size or change speakers because of $issues or logistics, having to move your sytem to a smaller space etc., have any of you GON members gone from a world class planar to a box enclosed design and were able to really be happy and not long for the "good old planar days". We do not personally know anyone who has ever done it and was truly happy about afterwards. It would be great if any of you fellow GON members can relate to this question through your own personal experience and share your opinions with us.
teajay
I had each incarnation of the Martin-Logan CLSes, with, and w/o subwoofers for many years, and loved them until the day they departed. In fact, I still love the sound of Quads, Logans, Soundlabs, Innersounds, and ETs when I have the occasion to hear them. I found, however, that I prefer listening to a few of the newest generation of box speakers because they have much of the inner detail, delicacy, and immediacy of panels, and a dynamic linearity that panels lack. I, apparently, am very sensitive to this. I have not missed the Logans at all.
Norm, the company out of Florida you're probably trying to think of is Acoustat. I see you've owned a few speakers :-) all of which I've heard except the Servo-Statiks. I've found those which employ a flat profile are more prone to the 'wide mouth' characteristic. One has to weigh the pros and cons; there are very few horns I could live with, not caring for their colorations and other tradeoffs.
Brian
Brian, yes Acoustat. Actually, if you hung a monster high voltage cap on them, they were very good.

I also think you are right about flat profiles. The SoundLabs had less of this problem, but still had it. There certainly are problems with horns and putting them together seamlessly, but nothing else even approaches realism in the speed of music. I am beginning to miss this in my Beauhorns although the Acapella LaCampenellas have better frequency range and are seamless.

As you can see, I am never satisfied, and I suspect there is no good speaker outthere. They all are hopeless compromises.
John (Jafox): Let me know next time you'll be down toward Chicago, and maybe the fellow who owns that system will let us come over :-)
Brian
Call me Planar girl, but I have heard some of the best box enclosed speakers (BMW's, Thiel's, Avalons, Wilson, etc.) and found very few that had the natural and magical sound of real music compared to my MG-1.6's. At the Rocky Mountain Audio Festival this past October, I was truly impressed with the Diamond Tweeter Avalons, but for goodness sakes, they should have been spectacular since they cost close to $35,000! When I now listen to a baffled speaker, it often sounds closed in and unnatural to me. Since I do not listen to head banger music or grundge rock, my MG-1.6's provide me great pleasure with jazz vocals, classical music, swing and bebop acoustic jazz. So for me, yes, it would be very hard for me to go back to a box enclosure speaker.

Something else on this thread piqued my interest. It was mentioning that long time and devoted Sound Lab devotee, Albert Porter, had recently gone from his beloved highly tweaked out and customized Sound Labs to Dali Megaliners in his system. I believe this was shared to show that some of the finest world class box enclosure speakers could offer some of the special qualities of a world class planar. If Albert, of all audiophiles, could be happy with the Megaliners, it would really show that there is sonic heaven after planar speakers.

I just happened to hear Albert, who is a first class gentleman and a scholar, share with some other audiophiles that his major reason for selling his beloved Sound Labs was mainly because of his frustration regarding down time and how long it took to fix certain reliability difficulties. Also, an individual wanted to give him a remarkable amount of money for his very well known and totally customized Electrostatics. I got the distinct impression that Albert truly wanted to replace his Sound Labs with MG-20.1's but he was frustrated that Magnepan, the manufacturer, would not give him a discount or a price reduction of any sort even with his very high profile and wonderful reputation in the audiophile world. I believe it is a fact that Magnepan, regardless if you are a high profile and well known magazine or online reviewer, will not discount or reduce the price of their speakers for anybody. I think this is great because they do not go looking for favorable reviews or perks by winning favors by giving their speakers away for virtually nothing compared to the average audiophile, like you and me, who would have to pay full price to get their product. Magnepan will not allow a dealership to retailers who work out of their home. You have to have a legitimate store front enterprise. All dealers offer their speakers at the same prices because of the policy of Magnepan who prices their speakers at a very reasonable cost compared to both the performance of their speakers and what other speaker companies offer at the same price brackets.

I have a very strong hunch that Albert paid no where close to retail or even wholesale price for his Dali Megaliners. I want to be clear that this is not a personal attack on Albert, for whom I have great respect and admiration. Just trying to make the possible point that he went to a box enclosure speaker, more because he was irritated that Magnepan would not discount their price for him rather than because he was enamored of the sound of the Dali Megaliners. Albert also shared that he was not pleased on the two occasions, including at the Rocky Mountain Audio Festival, that he had heard the Megaliners and was concerned about how he was going to make them sing in his home system. Bless Albert. I am glad he can get what he wants at a very reasonable economical price. I just find it frustrating that as an unknown audiophile, I do not expect nor get price perks because of my status or position. Albert, if my speculations regarding what happened with Magnepan or the pricing of the Dali's is incorrect, I would appreciate if you would share why you chose one speaker over the other.