I finally heard the Avantgarde Unos yesterday (although I was only given a very rushed 15 minutes), since the dealer was accomodating enough to borrow a Jadis DA50 integrated tube amp from the store upstairs. Wow, what a difference! The first note brought a smile to my face. The harshness and edginess was replaced by a warm Jadis glow, in fact I would say the sound was too warm, as I've found before with lower end Jadis designs. As I hoped, these highly sensitive horns speakers seem to reflect their source more than many box speakers I've come across. I can only imagine how much better a sound my Jadis separates would produce. They also used a very inexpensive CD player.
I'm hooked on the possibility of horns now. Compared to the Alexandrias, Ivy, and Kharma speakers, and probably all the other box speakers I heard, I can make out more instrumental details and feel closer to the music. I hope that having the appropriate mix of source components can minimize or eliminate any possibility of harshness.
However, the physical size and appearance of the Avantgardes I find very imposing and unappealing and slightly impractical. I think the bass integration is somewhat of an issue as well, although that may be a necessary compromise. There is still something about their sound that is not as 'comfortable' as my favorite box speakers, but I could attribute this to listening habit and unfamiliarity more than anything.
Boa2 has flagged a possible warning about tonal richness and complexity. I suspect tonal richness could be provided by the source, while I haven't reached a conclusion about tonal complexity, which is one of the reasons I like the Alexandria and Ivy so much. However, the ability of the Avantgardes to resolve find detail, including previously obscure lines of instrumentation, may mean this might not be a big concern. I also like speakers to have what I call, perhaps wrongly, richess of harmonic overtone/instrumental resonance, but wonder whether how much of this is often an exaggeration of hifi systems.
I guess the Avantgardes go on my shortlist. I hope to compile a longer list of potential audition candidates, but any further research is going to cost me considerable time and effort. I am considering just settling on a speaker now, despite there probably being better and more suitable choices lurking out there, and just enjoying music and developing my musical and 'audiophile' appreciation for a better selection process down the road.
Boa2, your comment about my budget is well-taken. I originally thought that my stated budget range ought to take care of it for me. I guess I would spend up to about 30K now, and would like to buy used, so would probably consider speakers up to around the 60K new retail mark.
I guess I could restart a new thread with a better title (e.g. best 10-60K speakers for high-end tube amp), but would this cause more confusion than clarity? I should also state that I would consider trading in my amps for higher power tubes if necessary.
My future audition list, should I continue, now contains:
Beauhorn
Zingali
Von Schweikert
Merlin
DeVore Fidelity
FAB model one
Verity Audio Sarastro
Coincident Total Victory II
Carfrae
Would any of these speakers match or exceed the qualities I found in the Avantgardes?
I'm hooked on the possibility of horns now. Compared to the Alexandrias, Ivy, and Kharma speakers, and probably all the other box speakers I heard, I can make out more instrumental details and feel closer to the music. I hope that having the appropriate mix of source components can minimize or eliminate any possibility of harshness.
However, the physical size and appearance of the Avantgardes I find very imposing and unappealing and slightly impractical. I think the bass integration is somewhat of an issue as well, although that may be a necessary compromise. There is still something about their sound that is not as 'comfortable' as my favorite box speakers, but I could attribute this to listening habit and unfamiliarity more than anything.
Boa2 has flagged a possible warning about tonal richness and complexity. I suspect tonal richness could be provided by the source, while I haven't reached a conclusion about tonal complexity, which is one of the reasons I like the Alexandria and Ivy so much. However, the ability of the Avantgardes to resolve find detail, including previously obscure lines of instrumentation, may mean this might not be a big concern. I also like speakers to have what I call, perhaps wrongly, richess of harmonic overtone/instrumental resonance, but wonder whether how much of this is often an exaggeration of hifi systems.
I guess the Avantgardes go on my shortlist. I hope to compile a longer list of potential audition candidates, but any further research is going to cost me considerable time and effort. I am considering just settling on a speaker now, despite there probably being better and more suitable choices lurking out there, and just enjoying music and developing my musical and 'audiophile' appreciation for a better selection process down the road.
Boa2, your comment about my budget is well-taken. I originally thought that my stated budget range ought to take care of it for me. I guess I would spend up to about 30K now, and would like to buy used, so would probably consider speakers up to around the 60K new retail mark.
I guess I could restart a new thread with a better title (e.g. best 10-60K speakers for high-end tube amp), but would this cause more confusion than clarity? I should also state that I would consider trading in my amps for higher power tubes if necessary.
My future audition list, should I continue, now contains:
Beauhorn
Zingali
Von Schweikert
Merlin
DeVore Fidelity
FAB model one
Verity Audio Sarastro
Coincident Total Victory II
Carfrae
Would any of these speakers match or exceed the qualities I found in the Avantgardes?