How would you desribe Von Schweiket VR-4jr sound?


Or for that matter the Von Schweikert sound in general, particularly their newer models?
What would you, Von Schweikert owners/previous owners, auditioners, consider their strengths.... weaknesses?

thx

geoh
geoh
For some reason, some people seem bent on bashing the VRjr. I own them, and they are great speakers.

I have very discerning ears, and am a musician. When I listen to audio components, I listen for what sounds more real, more musical. I can nitpick as well as the most critical here, but I listen to the totality of the sound. If something sounds more like the real thing, I can live with small anomalies --- nothing is perfect.

On those who make so many criticisms of this speaker, I wonder what associated equipment they are using, as these speakers ruthlessly reveal the sound of every component in the chain. I also wonder what recordings people are listening to. First and foremost, I use exceptional recordings to make my judgments. Even exceptional recordings have their tonal quirks. For example, some Cheskys are tipped slightly bright and forward balanced, yet have exceptional detail and musicality. Some Verve Jazz recordings are exceptional, but exhibit some brightness in certain ranges. Some tracks on the same recording vary in quality and tonal balance. One must be familiar with the quirks of the recordings used, and adjust one's opinion and evaluation accordingly.

The VRjr has revealed many of these nuanced differences to me, that prior speakers have not. No, they are not perfect, but, most importantly, they provide that certain "clear window on the sound" that is basically coherent. I don't hear the discontinuities in driver integration people are claiming here.

I'm afraid that some audiophiles choose equipment that makes their favorite flawed recordings sound better, rather than carefully choose recordings that are musical and coherent, and then judge the equipment accordingly. In that light, the VRjr reproduces something closer to the musical truth than many other speakers on the market.

Kevziek, your right on the money with your assessment. They are uncolored and realistic sounding. They will bring out sonic charateristics of the other components.
re: Kevziek's comments -

"Music lovers" generally choose the material (software) they listen to based on these 3 factors in this order:

1st. How much they enjoy the composition/songwriting
2nd. The quality of the performance
3rd. The sonic attributes of the recording

"Audiophiles" one could argue, reverse those priorities.

Unfortunately, the vast majority of music that rates highly by 1. and 2. above was NOT recorded with audiophiles in mind. Therefore, if your analysis is correct, you have just established that these speakers will not produce an experience that appeals to "music lovers" most of the time.

Now "audiophiles" on the other hand, generally are looking to go a little more high end than the JR's which apparently are not finished particularly well and certainly have arguable sonic compromises. (Complicated 4th order crossovers, rear-firing "ambience" tweeters, and ported cabinets disqualify it as far as I'm concerned.)

So the audience that will be truly happy with JR's is "audiophiles" who can't presently afford more, or "music lovers" without very discerning ears.

This probably explains why a fair number of JR's started showing up for sale used pretty early on in the product's life/hype-cycle. Which is not to say they don't work for some people - but clearly there are valid reasons that they don't work for others.
Opalchip: This post sought opinions from people who have owned or auditioned the VR-4JR. Have you? Based on your comments I tend to doubt it. Also, a fair number of everything shows up on Audiogon. That's just the nature of this hobby and it means nothing. What do you own and what qualifies you as a judge of these or any speakers?