Tube preamp for SS amp


6922, 6H30 or 6SN7 decisions decisions. What sounds good to me might not sound so good to somebody else....I get it, but is there a tube preamp/solid state amp that is not a good match sonically (running a pass labs x250.5 and bryston 4bsst2). I can drive 2hrs and audition some ACR equipment however that's it. Everything else would be purchased out of state and most places will have to special order something else in (ie modwright ls100, cj ET3SE, audible illusions...) and will only take the equipment back for store credit.
chad2635
Thanks for all the feedback. Based on all the research I've done I'm leaning towards 6SN7 or the 6922. I have had my eye on the cj et3se however I'm not sold on the volume control that it uses (push button/remote) and I'm not sure the entry level classic 2se (both use a single 6922) is enough of a preamp (ie performance not features). Herron audio has a 6922 based pre that I may investigate. There is a used VTSP-1a/166 here on audiogon and a NOS VTSP-2.
"12-25-13: Chad2635
Thanks for all the feedback. Based on all the research I've done I'm leaning towards 6SN7 or the 6922. I have had my eye on the cj et3se however I'm not sold on the volume control that it uses (push button/remote) and I'm not sure the entry level classic 2se (both use a single 6922) is enough of a preamp (ie performance not features). Herron audio has a 6922 based pre that I may investigate. There is a used VTSP-1a/166 here on audiogon and a NOS VTSP-2."

That's not a good way to go about this. You can have 2 preamps that use the exact same tubes and they will both sound very different. In a case like this, demo's aren't optional. You have to do it. If your only demo option is ARC, I recommend you try to put something together with them, as opposed to just guessing. When you buy equipment without listening to it first, be prepared to fail. (Understand that I'm not trying to be negative or mean. I'm just very direct in how I communicate.)
You're probably right. It's tough being an audio enthusiast and reading about new makes and models with everybody trying to outdo everybody else but in reality who actually has access to audition even a fraction of what's out there. Even the hifi shops can't afford to stock all models....I know because I've called and more times than not if they don't have what you want they make you special order it and will only exchange it. I guess what I need to do is pick a shop that carries at least 2 brands I'm interested in to better my chances of finding a match.
Chad, I am no techie, but I think CJ make quite a big deal of their volume attenuator, indicating they use a discrete resistor for each volume increment to attenuate the volume (in 0.7db increments all the way through)...somehow preserving the integrity of the signal by having just the one resistor at that increment? AT least that what I could make out of it...sorry for not reading it properly if I got this wrong. Its on their website. Perhaps there are better ways to attenuate, but as people like to say, its often about the implementation than the theory anyway. Hope you get a chance to hear the CJ ET3SE...if it sounds as close the GAT as people say, then it should be quite a special preamp.
Zd542,
You make some valid points, I made it clear to chad my description of the
various tube characteristics were "general" . Of course the
option to hear a component in your system is by far the preferred way to
proceed, this isn't possible in many cases. Gathering information from
those with some actual experience does help establish a data base and is
useful.

I have four components in my system that were purchased without any
prior listening. I used reviews and perhaps even more importantly (to me)
input from owners on this site and other forums, results exceeded my high
expectations I'm happy to say.

There simply wasn't a way for me to hear these components in my system
without buying them, that was the reality. I know I'm not the only one who
has had to do it this way either. You have to begin the quest somewhere.
Charles,