Tube Amp for Martin Logan Speakers


Hi, I love tube sound through my Martin Logan Aerius-i fronts and Cinema-i center. I currently have a Butler 5150 which is a hybrid, but it busted on me and would cost $700 to fix. I've had china stereo tube amps that were pretty good and gave true tube sound, but not enough drive for higher volumes. I live in condo, so not like I can blast music anyways but still. I got the Butler because I wanted 5 channel tube sound for home theatre (The piercing sound from my Denon 3801 receiver was not pleasant to my ears). It appears there are only three multi-channel tube amps around, from Mcintosh, Butler 5150, and Dared DV-6C. The latter two are hybrids, and the last one was one of the worst tube amps i've ever heard. I have no clue why 6Moons gave the Dared a 2010 award, but maybe it's because it produces only 65W.

So since multichannel tube amps are hard to come by, and they tend to be hybrid, I was thinking maybe it would be best to get three true tube monoblocks to power my fronts. Thing is I wonder if they will be underpowered for my speakers, and not sure which ones are decent for the price. Maybe China made ones would suffice, and they still go for pretty expensive price. I'm wondering if anybody knows of a decent powerful tube monoblock that is affordable, because I can't pay $3000 per block. or maybe best to just repair my Butler. Thing is, I'm not confident that it is reliable. The tubes are soldered in which is weird, and i've taken it to a couple repair guys who both said that the design is not good, because it's very tight inside and more susceptible to being fried from DC voltage areas. it's too sensitive.

Any suggestions for tube monoblocks, even if china made ones? the holy grail for me would be Mcintosh tube amp, but they are hard to come by. Thanks.

smurfmand70
Al, perhaps the EPDR article I referred to above might put a little gloss on what you said. The underlying thesis of the EPDR article is that a speaker's "nominal" impedance is further reduced if it is coupled with a negative phase angle at the particular frequency in question. So, if the "effective" impedance, or EPDR, is even lower, I can only assume that the "db delta" between a SS amp and a tube amp, even with a "low'ish" output impedance, would likely be greater. And I believe you surmise the same in your last post.

I think the take-a-way for us is that we may not be able to tell whether a particular amp/speaker combo will be a good match by looking at specs alone. But we should be able to identify (or at least be wary of) a combo that may be a bad match. Of course, if someone likes sonic coloration -- hey, all the power to sonic coloration.

Yeah ... I agree with the comments above, either the manufacturers and/or the dealers need to do a better job of helping customers understand this stuff before pushing product.

Thanks again Al.
I was just giving you guys a hard time. That doesn't come through in print very well. We get too serious sometimes.

Of course not every amp can handle the job when you've got a speaker that has an impedance of .5 ohms at 20khz. But you don't need a lot of power to reproduce most musical content at 20khz either. The highest fundamental on a guitar is less than 1khz. Overtones are very important but don't need a lot of power to reproduce.

Robert Deutsch had no problem with the 40wpc Prologue Premium Integrated and the ML Montis.

Here is what Martin Logan says in the manual for their current hybrids:

What size amplifier should I use?

We recommend an amplifier with 100 to 200 watts
per channel for most applications. Probably less would
be adequate for our smaller hybrids or when used in
home theater where a subwoofer is employed. Our
hybrid designs will perform well with either a tube or
transistorized amplifier, and will reveal the sonic character of either type. However, it is important that the
amplifier be stable operating into varying impedance
loads: an ideally stable amplifier will typically be able
to deliver nearly twice its rated wattage into 4 Ohms
and should again increase into 2 Ohms.

And:

Could you suggest a list of suitable electronics and
cables that would be ideal for Martin Logan speakers?

The area of electronics and cable choice is probably
the most common type of question that we receive. It
is also the most subjective. We have repeatedly found
that brands that work well in one setup will drive
someone else nuts in another. We use many brands
with great success. Again, we have no favorites; we
use electronics and cables quite interchangeably. We
would suggest listening to a number of brands—and
above all else— trust your ears. Dealers are always the
best source for information when purchasing additional
audio equipment.

So, you don't want an SET but you shouldn't be too worried about that .5 impedance either. ML did not say the amp has to double wpc with each halving of impedance, not even close. I do not think that a company that has lasted as long as ML has in the high-end world could get away with advising customers to use amps that make their speakers sound bad.

So, We need to be aware of specs but Trust your ears and Enjoy your music!
Tom, you quote the ML manual as advising that "an ideally stable amplifier will typically be able to deliver nearly twice its rated wattage into 4 Ohms and should again increase into 2 Ohms."

My take-a-way is that ML recommends using a rock-solid stable SS/Voltage Paradigm amp, which as discussed above has a very low output impedance. Stated differently, the ML ESLs in question were likely voiced to be driven by a SS amp.

Hence, based on what Al explained, using a tube amp which has a "high'ish" output impedance will likely result in sonic coloration to some degree. As Al also said, some may not find this to be a problem and that's ok. :)

So ... after all that has been written, I think the best answer to the OP's Q is that if he/she really wants to use a tube amp to drive his/her ML ESLs, consider a low output impedance BEAST that can deliver serious current.

Frankly, I would be biased (pun) in favor of using a high quality/high power SS amp e.g., a Pass, Ayre, Bryston, inter alia.

Regards,

Bruce