Stillpoints and reference-level speakers


Seems logical to assume that the makers of megabuck speakers would use superior footers in their designs. Any experience out there with Stillpoints isolation devices to support the reference-level offerings from Magico, TAD, Rockport, Tidal, and others?
psag
Just popped in the Audio Points (by myself. My effective wingspan is wider than I thought...).

First listening is very favorable. Hearing more of the strike of the hammer with piano, stick hitting cymbal etc. Bass impression so far is not that it is reduced, but that I'm hearing more below say 100hz. Richer tonality perhaps?

Soundstage width doesn't seem to have changed, but it is deeper and taller. It is easier to hear the individual contributions in two-part harmonies.

I'm almost rolling my own eyes as I type this sentence, but it's like the potential of the Salon 2s to benefit from what they are fed from the gear behind them has grown. A lot. Wicked pissah, as we say here in the Armpit of Cape Cod!


Just popped in the Audio Points (by myself. My effective wingspan is wider than I thought...).

First listening is very favorable. Hearing more of the strike of the hammer with piano, stick hitting cymbal etc. Bass impression so far is not that it is reduced, but that I'm hearing more below say 100hz. Richer tonality perhaps?

Soundstage width doesn't seem to have changed, but it is deeper and taller. It is easier to hear the individual contributions in two-part harmonies.

I'm almost rolling my own eyes as I type this sentence, but it's like the potential of the Salon 2s to benefit from what they are fed from the gear behind them has grown. A lot. Wicked pissah, as we say here in the Armpit of Cape Cod!


Just popped in the Audio Points (by myself. My effective wingspan is wider than I thought...).

First listening is very favorable. Hearing more of the strike of the hammer with piano, stick hitting cymbal etc. Bass impression so far is not that it is reduced, but that I'm hearing more below say 100hz. Richer tonality perhaps?

Soundstage width doesn't seem to have changed, but it is deeper and taller. It is easier to hear the individual contributions in two-part harmonies.

I'm almost rolling my own eyes as I type this sentence, but it's like the potential of the Salon 2s to benefit from what they are fed from the gear behind them has grown. A lot. Wicked pissah, as we say here in the Armpit of Cape Cod!


Just popped in the Audio Points (by myself. My effective wingspan is wider than I thought...).

First listening is very favorable. Hearing more of the strike of the hammer with piano, stick hitting cymbal etc. Bass impression so far is not that it is reduced, but that I'm hearing more below say 100hz. Richer tonality perhaps?

Soundstage width doesn't seem to have changed, but it is deeper and taller. It is easier to hear the individual contributions in two-part harmonies.

I'm almost rolling my own eyes as I type this sentence, but it's like the potential of the Salon 2s to benefit from what they are fed from the gear behind them has grown. A lot. Wicked pissah, as we say here in the Armpit of Cape Cod!