How to meaningfully audition speakers??


I think this topic has appeared elsewhere, even if worded differently. But I thought I'd ask anyway.

Just upgraded my amp and was thinking about auditioning different speakers. Problem is that there are only a handful of high-end B&M stores nearby. Another complication is that no one store has the 2 or 3 speaker brands that I want to check out.

Further, I am dubious that one can meaningfully audition gear by running from store to store because the test conditions are not identical. In addition, unless a piece is really terrible or incredibly terrific, I don't trust my aural memory. Perhaps other have a different view.

Seems to me that the best way to accomplish what I want is to have the speakers of interest brought to my house and hooked up to my rig. But -- I am NOT aware of any dealer willing to part with expensive gear like that, especially if it has to be specially ordered from a distributor because the model is not on display.

So the Q is what do most folks do? Just buy speakers on hope and a prayer?? Rely on reviews or Forum comments??
bifwynne
It is tough today to meaningfully audition speakers now that there are so few dealers in close range. Shows can help but still...they often play music to highlight strengths. I HAVE to hear a wide range of music to be able to consider whether or not the speaker might be satisfactory long term. Like Elizabeth, I have specific recordings used to evaluate. The other wild card is the system you are listening to vs your own. Is the speaker going to match well with your amplifier or are you going to have to reconfigure the system to accomodate the new speaker?

There is no easy way today to audition so I guess one has to spend a lot of time reading, sorting through and finally try to locate someone reasonably close that will let you listen or buy used and try that route. I find speakers the most complex component to satisfactorily describe that would make you feel comfortable that it is going to work. We each have different priorities and can live with some ommissions or commissions more than others. Is it too forward, laidback, warm, resolving enough, tonally accurate, dynamically convincing...?

Really there is no way to know for sure without some serious listening which for many of us means buying used and gambling that it's going to work out and if not, reselling and moving on. I'm not too sure I would ever again purchase without hearing first unless there was some audition period, used possibly if the price was good enough that it could be resold if things didn't work out. It is a good question with few really satisfactory answers. The only thing I WOULD say, particularly to those with little experience, never purchase new without hearing first, particularly based on what others might tell you. This is the time to listen to as many speakers as possible to determine exactly what it is you want to hear to minimize costly mistakes.
That is a great question that Charles asked. I am also interested. Perhaps the "Jazz for Aficionado" thread would be better answered on.
If Frogman wants to answer there I'm sure others will appreciate his thoughts and viewpoint.
Indeed a great question posed by Charles. Inquiring minds want to know! Please Frogman, what are your thoughts, if not here then on another thread. My guess is that like rock musicians, some do and some really don't care, maybe more thoughtful consideration by the sound engineers on jazz recordings than those in rock/pop? I would think that there are much fewer jazz recording engineers than those in the rock/pop genre so there would be more variation in sound quality.