How to meaningfully audition speakers??


I think this topic has appeared elsewhere, even if worded differently. But I thought I'd ask anyway.

Just upgraded my amp and was thinking about auditioning different speakers. Problem is that there are only a handful of high-end B&M stores nearby. Another complication is that no one store has the 2 or 3 speaker brands that I want to check out.

Further, I am dubious that one can meaningfully audition gear by running from store to store because the test conditions are not identical. In addition, unless a piece is really terrible or incredibly terrific, I don't trust my aural memory. Perhaps other have a different view.

Seems to me that the best way to accomplish what I want is to have the speakers of interest brought to my house and hooked up to my rig. But -- I am NOT aware of any dealer willing to part with expensive gear like that, especially if it has to be specially ordered from a distributor because the model is not on display.

So the Q is what do most folks do? Just buy speakers on hope and a prayer?? Rely on reviews or Forum comments??
bifwynne
Since 2007 I focus on what I call 3-dimensional sound. Because the difference between 2 and 3-dimensional is very big. The emotion you feel with 3 dimensional sound is a lot bigger. So I let people listen to both to understand the difference. Sound is the most important part in audio. Because this is the most important part to listen to your favorite music for many hours in a row. Music is emotion, that is why my focus is on the emotional sound of music. I try to get the maximum level of emotion out of music. Music is the essential part in audio. In this world there are too many people who focus too much on audio instead of music. First you need to understand music before you can understand audio. After this you need to understand all the different properties brands have. This you need to know of all the different amps. sources, speakers, cables, conditioners etc. Audio is the art of using and making the right combination of the different properties amps, sources, speakers, cables, conditioners have. These days my focus is only on 3-dimensional sound. Because this is the only and best way to the absolute sound. I see it at the smiles on people there faces and see people tapping with there feet. Audio is all about music and emotion. It is that simple!
Bo's response is, again, even if read closely, useless, if only because of his annoying disregard of the fact that people hear things differently. That is the Monkey Wrench of personal opinion that trumps all else in audio appreciation. Opinions of "different properties" is always subjective and that's what my guitar speaker analogy is about. All speakers have a "sound" of their own and nothing exists as a reference, since the nature of even acoustic sound isn't absolute since we all hear things in individual heads. Room correction is using somebody else's head by the way...and I'm fine with my own. Listen to one of my acoustic guitars with your face 10 inches from the soundbox...you think that's a reference? Hmmm...stick your head in my piano...same thing...I prefer the image my hifi gives me (if I'm not actually playing the instrument), because it feels right for me, and all the gizmo swapping bullshit would do is waste my listening time, although I can swap anyway if I feel it needs it, or I simply feel like it due to boredom and/or compulsion. I recently attended a Ricky Lee Jones show that was packed with emotion (and the sound at my local venue was actually good...better than usual), and this weekend mixed the live sound for a pile of world class veteran jazz dudes (with 2 astonishing female singers) doing a tribute to Billy Holiday. Even in a concert hall with dreadful acoustics, everybody got the emotion and I don't think anyone cared about the "sound"...except me since I was getting paid for that.
The way how I use audio is very effective. I can easy let people hear a higher level in quality than other shops give to the same people. This is not subjective. This is what people can hear and understand. So your words are useless ( again, like they often are) Depth and wide is not subjective, it is what everyone can hear ( when you have a normal hearing) The same about how big an instrument or voice is projected during listening. There is one thing we agree that is about sound. This needs to be invloving or you never will be happy with it. The misstake you make is focussing on persons. I read some of your answers on treads, you do it more. I never will be personal, maybe this time a little. Because you never stop. Wolfy focus on the threads and the discussion about audio. When I read your answers I see an amature.
I try to keep audio as simple and understandable for every single person. The same about how I use Audyssey. I demonstrate it on and off so people understand and hear the difference what it does. Same about Audyssey EQ and Volume. Just put it on and off. Audio Always will be a personal thing. Listening you have to do yourself. Making the best decision is using your own preference. But there are rules which makes it more easy for every person. When you only looking for speakers you take all your stuff with you what you own. I Always took my amp, preamp, cables, conditioner and source with me to distributers when I was looking for a new speaker. When I took a dscision I took that speaker with me at home. In my country this is the most common way to buy audio.
Bo,
It's clear that sound stage dimensions and presentation are of highest priority for you (we all have our preferences for what defines a successful component). You refer often to sound stage width and depth. What degree of importance do you place on tone, timbre and harmonics preservation of instruments and voice? Do you find these qualities essential for realism in an audio system?
Charles,