Janos Starker/ Bach Suites; I use it to demonstrate the sound realism of a cello and also the small proportion and palpable image of the cello.
Diana Krall/The girl in the other room/ Almost blue; again for the sound of the Steinway she uses and for the 3D image of her voice. She is standing in front of you so palpable.
Departure Bay; I can let people hear her lips during singing ( in most sets you do not hear it at all) And again the extreme level of blacks and touchable image.
Kraftwerk/tour the France/La Forme; I use it for the speed and drive. But also for the extreme holographic image in general. You hear the depth, but also like you use surroundspeakers ( Q sound effect)
Bruce Springsteen/Trackscd-4/Brothers under the bridge; articulation of his voice. The way how I use Audyssey with Volume and EQ you hear a lot more details. Bruce is standing in full 3D in front of you. You hear all his words endings so clear. Endings like ssss, ttt or th.
Jacintha/Jacintha is her name/light my fire; this one I use to let people hear the high level in blacks and also for depth. Crossflute is playing about 3-4 metres behind her voice.
I/m in the mood for love from the same album; I use this one to show people that the energy and drive of the Contrabass is coming from the left. My sub is standing on the right side. Almost all subwoofers are not able to let you hear the energy and drive from the left side where the contrabass is recorded. The instruments stay very small in dimension. With many subwoofers who do not integrate like the PLW-15 does the focus of instruments become less sharp and often bigger in proportion.
These are just a few. I use many different numbers to make things clear. Do not forget that my system makes this very easy. When I use this music on many sets, you miss so much. The sound realims, timbre is of another level. Most sets do not have the drive and speed. You hear often a lot les details.
I use my set to make clear what is missing in sets of clients. After this I change parts in there set to get it to a higher level.
Diana Krall/The girl in the other room/ Almost blue; again for the sound of the Steinway she uses and for the 3D image of her voice. She is standing in front of you so palpable.
Departure Bay; I can let people hear her lips during singing ( in most sets you do not hear it at all) And again the extreme level of blacks and touchable image.
Kraftwerk/tour the France/La Forme; I use it for the speed and drive. But also for the extreme holographic image in general. You hear the depth, but also like you use surroundspeakers ( Q sound effect)
Bruce Springsteen/Trackscd-4/Brothers under the bridge; articulation of his voice. The way how I use Audyssey with Volume and EQ you hear a lot more details. Bruce is standing in full 3D in front of you. You hear all his words endings so clear. Endings like ssss, ttt or th.
Jacintha/Jacintha is her name/light my fire; this one I use to let people hear the high level in blacks and also for depth. Crossflute is playing about 3-4 metres behind her voice.
I/m in the mood for love from the same album; I use this one to show people that the energy and drive of the Contrabass is coming from the left. My sub is standing on the right side. Almost all subwoofers are not able to let you hear the energy and drive from the left side where the contrabass is recorded. The instruments stay very small in dimension. With many subwoofers who do not integrate like the PLW-15 does the focus of instruments become less sharp and often bigger in proportion.
These are just a few. I use many different numbers to make things clear. Do not forget that my system makes this very easy. When I use this music on many sets, you miss so much. The sound realims, timbre is of another level. Most sets do not have the drive and speed. You hear often a lot les details.
I use my set to make clear what is missing in sets of clients. After this I change parts in there set to get it to a higher level.