Jfrech and Thuchan, while I agree that the software plays a huge role, I feel like I have to point out an often overlooked issue:
We often see very well done digital recordings. They sound amazing, and seem to challenge analog reproduction. The question though really is- what would this same recording sound like if the master was analog instead of digital? I ask this because you might be surprised at how modest the record chain can be in an excellent digital recording (although there are recordings that sport some high end hardware in the record chain too). What I am getting at here is how easily a good analog recording system can best the best of digital. It can do it in a heartbeat.
If you are playing an LP that has a digital master, it quite often can sound better than the CD simply because it is mastered from the master file and has less data loss. But you really aren't hearing what that LP can do unless it also has an analog master.
We often see very well done digital recordings. They sound amazing, and seem to challenge analog reproduction. The question though really is- what would this same recording sound like if the master was analog instead of digital? I ask this because you might be surprised at how modest the record chain can be in an excellent digital recording (although there are recordings that sport some high end hardware in the record chain too). What I am getting at here is how easily a good analog recording system can best the best of digital. It can do it in a heartbeat.
If you are playing an LP that has a digital master, it quite often can sound better than the CD simply because it is mastered from the master file and has less data loss. But you really aren't hearing what that LP can do unless it also has an analog master.