I did that comparison. I thought, the newer Design has to be better but that was a mistake. The FR-66s is so much better in soundstage, detail and holographic "picture", it was (or, still is) amazing. The 66s is dynamically balanced, maybe that is the difference, or it has something to do with different design solutions...anyway, after that experience I went for 66s (and 64s btw.).
FR66s vs Ikeda IT-407 CR tonearms
Has anyone compared the FR66s to the newer Ikeda IT-407 CR1 tonearm? Any thoughts? In previous years, the Ikeda was available with either copper or silver internal wiring but the recent models don't mention anything about the tonearm wiring. Can anyone comment what type of wiring is used in the latest editions? It would seem intuitive that the later Ikeda IT407 should be a better performer than the FR66s having improved material and bearings over the FR66s but the proof is in the hearing.
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- 111 posts total
- 111 posts total