What is Low Impendance for an interconnect?


I have been reading some of Roger Sanders views on interconnects and he would have his listeners utilize braided interconnects that are low impedance.

Any thoughts on this subject?

What would be considered low impedence for a preamp/amp interconnect?

I am a newbie just trying to learn
dsper
01-16-14: Jtcf
The dental floss that is grown in Montana would be the way to go:)
Montana??!! there are no manuf in Montana so this dental floss cable does not meet the standards of
Provided, of course, that the string has good pedigree and is well vetted by the cable manufacturer, is specially treated with some esoteric compound, and is marked up to audiophile price standards.

;-o
01-16-14: Dopogue
The second quote from Mr. Sanders (all well-designed interconnects sound identical) is so bizarre that I personally wouldn't believe another word he said.
Dopogue, I believe you jumped the gun all too quickly to damn Roger Sanders. I'd wager that you did not bother to read the ENTIRE material at the link Al provided....

Roger Sanders does say:
But please carefully note that I said all WELL-DESIGNED interconnects sound identical. Some interconnects are badly designed and do indeed sound different.

So just what is a "well-designed" interconnect?.....
The article goes on for quite a while to give his definition of "well-designed". He's not talking about hi-end or mid-end or low-end priced cables; only well-designed cables. I suggest that you read all the material there before you shut your mind.
Just to let all know: I do not own any Sanders equipment, have no stake in his company.
I did hear his equipment at RMAF2013 & it sounded really very good.
Okay, I read the whole thing. Sanders obviously gets to determine what is "well designed" or not, and since his cables sound exactly the same as other "well designed" cables, I certainly see no compelling reason to buy his.
Hi Almarg,

You had the right link and I think that it has been discussed in this thread.

My read is that Roger is saying that his interconnects do not impart any coloration to the signal, which is his definition of a well designed interconnect.

It would seem that is the right place to start. Then if you want it to make a warmer sound, accenuate the bass, etc., etc. then you go from there.

So if I am trying to buy a pair of interconnects that do not color the sound, what does one look for in terms of construction and measurements?