Geez, I watched the video too, I'm speechless. Words fail me.
Now, back to the original OP's question. Some of my tracks I use to maintain a baseline of familiarity when auditioning new equipment might be Rautavaara's "Cantus Articus Opus 61" for its extraordinary sense of atmosphere and orchestral treble nuances, Bela Flecks old standby "Flight of the Cosmic Hippo," Keith Richards "Rockawhile" for its sense of timing, groove, and kick bass drum, Bill Frisell's "Blues for Los Angeles," again for groove, swing, and propulsive bass guitar, and Hovhaness' programatic "Mount St. Helen's symphony 50" for the entire palette of orchestral instrumentation, dynamics, and tone color.
Now, back to the original OP's question. Some of my tracks I use to maintain a baseline of familiarity when auditioning new equipment might be Rautavaara's "Cantus Articus Opus 61" for its extraordinary sense of atmosphere and orchestral treble nuances, Bela Flecks old standby "Flight of the Cosmic Hippo," Keith Richards "Rockawhile" for its sense of timing, groove, and kick bass drum, Bill Frisell's "Blues for Los Angeles," again for groove, swing, and propulsive bass guitar, and Hovhaness' programatic "Mount St. Helen's symphony 50" for the entire palette of orchestral instrumentation, dynamics, and tone color.