2. tech-talk
  3. 1404577589

It's All About Increments

I have been changing and upgrading for 8 years now. It is an interesting and sometimes exciting process. The exciting part is when I make a change or upgrade that results in more than I expected. But, in most cases, what I have done to improve SQ has produced simply incremental improvements. I discussed this years ago with Paul Kaplan, and it has always stuck with me.

Because it's true. When you look at your own system, and all the changes and upgrades you've made over years, how many of them resulted in more than an incremental improvement in SQ? And for each non-incremental improvement, how many increments did it take to get there? Let's be honest with ourselves. We don't like to admit that the $5000 we just spent on a power conditioner or amplifier has not brought us $5000 worth of improvement in SQ. But, most of the time that's the reality, no matter how we rationalize that the $5000 was well spent.

What often happens is that we are really happy with the change -- but then revise our opinions once we get to the next level. It is all a matter of perspective and cumulative experience. This is equally true when it comes to the murky world of cables. Maybe more than equally true. And, as regards room treatments, in my opinion it takes more than many folks think it may take to "get there". No single room treatment covers all the bases. Each addresses one facet of the puzzle. Maybe two if you are really lucky.

Thankfully, there have been a few instances where improvements to my system have actually turned into breakthroughs, invariably when I got lucky after a series of "incremental purchases". The breakthroughs in my system were the Atma-Sphere S-30 power amplifier, Audio Horizons TP2.3 preamp, Raidho C1.1 monitor speakers, PS Audio PerfectWave transport, NAD M51 DAC, Monarchy power regenerator, medical grade isolation transformer and David Elrod cables. Most of these breakthroughs were preceded by many less-than-stellar antecedents that were inevitably put up on the auction block to make way for the next entrant. One increment after another -- one step at a time.

This process of increments and breakthroughs has finally culminated in a beautiful sounding system. Since I am an inveterate tinkerer and tweaker and do a lot of special DIY things with my system, this has been a painstaking process -- but also a labor of love. I continue to make changes to my system. A new component, some new cables and some room treatments are in the works between now and next year. But I am winding down after all these years, having come to the point where I am more than happy with the sound my system produces.

How about your system? How has it evolved over the years?
sabai
mapman's avatar
mapman
22,476 posts
 
Once you get close to the target you are aiming for, the differences from there can only be incremental, although there are many ways room acoustics can still affect the sound. That's what room acoustics do!

Who's to say there is only one "best" sound? Why not just build multiple systems in multiple rooms and enjoy some variety? MAximize the utility of those audio investments we are so prone to want to make.

SOmetimes I wonder if that is what many hardcore audiophiles miss in their quest for a single ultimate sound? Variety is the spice of life. It comes naturally in that each recording is usually a little different. So is each room's acoustics and the sound one will hear there.
sabai OP
2,027 posts
 
Ivan_nosnibor,

Thanks for letting me know. But I don't do social media.
sabai OP
2,027 posts
 
Brauser,

What are your favorite tweaks?
sabai OP
2,027 posts
 
Mapman,

There are a lot of systems that "sound good". That does not make them "high end", IMO. How do you define "high end"? For the answer, do you turn to the audiophile who says his/her system is "high end"? Or, do you turn to companies that call their products "high end"? I am not talking about a "best sound" or an "ultimate sound". I am talking about a comparatively "high end" sound. Comparatively. Here's what I am getting at.

What would happen if you got together a group of folks for a listening session. In the theoretical listening room you would have 5 theoretical systems representing 5 levels of "high end" audio equipment. Let's say the theoretical folks in the listening group consisted of newbies, seasoned audiophiles, dealers, manufacturers and reviewers. You might want to add others.

At the end of the listening session a vote would be taken: which systems produced "high end" sound? Grade the 5 systems from 1 to 5 in this regard. Each person would then be asked to explain their vote. Which systems sounded "high end" and which did not. Or which sounded more "high end" than others. Opinions would be solicited as to the why and wherefore.
mapman's avatar
mapman
22,476 posts
 
Sabai,

All good questions, but who gives a rat's arse if someone sticks the "high end" label on something or not? It either sounds good or does not. WHich sounds best seems to always be a pure subjective judgement that depends as much on the listener's state at the time as anything.

"High End" is mostly a label used for good sounding more luxury oriented gear that costs a premium, sometimes for reasons not clear, sometimes not.

Its a lot like wine in terms of being a subjective judgement. IF it costs more, it should be better right? Right????
More to discover