Should Sound Quality of Computer Audio be improved


Unable to respond to, "Mach2Music and Amarra: Huge Disappointment"- Thread. Other Members take free pop-shots!
Apparently some have more Freedom Of Speech than others! I
don't know how many times I have said it, I want Computer
Audio to succeed! It will only succeed if Computers are designed from the ground up to reproduce Music (Same minimum standard applied for Equipment of ALL Audio Formats)! This is common sense Audio Engineering Design. Bandaid Modifications cannot be substituted for absence in design to produce Music! Design it right to EARN the right to become a New Audio Format- same as all other Audio Formats! No Freebee's, No Cutting Corners! Lack of design is what's causing such varied results in S.Q. between
listeners of Computer Audio. I see about 50% negative
responses here on these Threads. It will continue to happen unless you fix it! Blaming me won't help! I am an
Engineer, and I can read results! 50/50 success/ failure
rate- you have an inherit Engineering Design Flaw for the
reproduction of Music via Computers! Shock! Suprise- since
they were never designed for Music! So when is someone finally going to properly design the Equipment/Computer
(From the ground up) for Computer Audio? Do we continue
to treat any real criticism as "HERESY" in the lack of
design in Computer Audio for Music? You tell me what I am
allowed to talk about, and we will both know!
pettyofficer
PO,

I will make this clear. Maybe this is complex.

Once you get to 24/192k sample rates, any higher sampling rates become less important than othe issues for recording studios. At that point (way above 44.1k. i.e 192k) technical requirements get tricky. PO is this clear to you?

This is why some speak of PCM while others talk of DSD and DXD. The technical requirements of the hardware in studios starts to become difficult. For instance there are very few multitrack DAWs that can handle DXD. Most studio kit is 24/192 compatible and under only. Are we clear on that too PO?

Obviously a 16/44.1 recording will NOT sound as NATURAL as much HIGHER sample rates. At least double and upwards of 44.1 and depending on the RECORDING quality of course there will be a nice gain.

Now i will muddy the water. Your clever joke about staying at 44.1 is interesting. (if you are interested) Many top guys used to stay at a single sample rate because at the time the dithering algorithms were not good. Mastering guys felt dithering caused more problems than staying 44.1 all the way through the process.(44.1 due to CDs) But that was in the 1990s.
I ran this by my Jack and he tilted his head in an approving manner.

O---O

\___/

Woof!
Um - who said sampling rate doesn't matter? I believe that what was actually said is that the recording quality and technique matters more - which is absolutely true in my experience. While higher resolution recordings do sound better in general, crappy recordings / masterings sound crappy no matter what the resolution. In fact they may sound even worse with better fidelity - like the latest Rush album - which sounds like absolute crap in 24/96 on my stereo but decent via MP3 through my iPod or car stereo.

So...what we are saying is that the resolution matters, but the recording and mastering quality matters more.

Petty...when having a conversation, it helps if you actually listen.
PO, Hfisher3380 has made it real clear for you if my English is confusing for you.
Chadeffect- Of course most Studio Kit is 24/192 compatible
and under only. My point is that YOU want to keep it that
way for a damn long time with "Soon all New Music will only
be available as Music Downloads". We are limited to 24/192
glass ceiling with Downloading. You don't want to explore
any other possibilities with DXD, Blue-Ray Audio, MLP, SACD, DVD-Audio, XRCD24, K2 HD CD, and Vinyl. The real crime is that you want to rob us of the opportunity of listening for ourselves to any possible improvement with these other Formats- DXD or not! A 24/192 Download is the
bottleneck that you want to force everyone into- a possible
32 Bit Mastered Disk, or Remaster be damned! You want to deny us the ability to compare any possible future Format
by imposing a 24/192 Single Downloading Format Filter. I
prefer being able to compare the Sound Quality of competing
Formats on my own. Am I supposed to dumb down to your level, and just take your word for it that "24/192 Music
File Downloads is as good as it gets- live with it"? There
is no longer any room for improvement, and you are going to make damn sure of that by saddling everyone with 24/192
Downloading. Sorry, too convenient- especially when both you, and I know that there is something out there that
sounds better. Maybe it is still in development; but, it
STILL Sounds better than 24/192 Downloads. You know it!
You just don't want anyone else to be able to listen for
themselves. We are supposed to surrender our ears to your dictum of "Soon all New Music will only be available as
Music Downloads. Only thing available for everyone to be forced to listen to. Any Future Formats be damned; because, you will not be allowed to listen to them for yourself". Talk about being treated as a head on a stick. This will not pass. People will eventually realize that they are being treated as Cattle- THAT IS INEVITABLE! Therefore (once again) a single Format solution does absolutely nothing to benefit the Consumer- in Sound Quality/ In Thrift/ In Convenience/ in Cost/ or in any other way. Are you even a Consumer? I have my doubts. You are certainly not Ralph Nader. Who are you? What are you?
Why are you trying to do this to us? What did we ever do to you besides leave you alone to listen to whatever Format
you wanted. Don't treat us any different- like Cattle!
Will you ever learn that you can't force anything you want
down everyones throat. It is an exercise in futility, much
like this Thread. You are not a Puppet Master, and we are not your Puppets. You are definitely NOT up to playing God!
Stick to your day job.