JaFox:
Thanks for taking the time to respond to my post.
Our divergent opinions again underscore how the perception of a components performance is dependent on the associated equipment and personal preference. The LS2B MKII mated well with the ARC D115MKII and also the VT100 MKII. My speakers at the time were the MG 3A followed by the MG 3.5s. The ribbon tweeters would have ruthlessly revealed any perceived brightness. Admittedly, LP piano recordings could sound mechanical (e.g. too pronounced leading edge) if the VTA was not properly adjusted. I agree that the LS5 MKII is a better preamp than the LS2B MKII (greater transparency, more natural and richer tonal balance, etc). However, the LS2B MKII is a much better performer than you have suggested. I maintain that in the right system it can be very satisfying and musical.
Having said all of that, I still prefer the LS25 MKI with NOS 6922 to both the LS2B and the LS5 MKII
Thanks for taking the time to respond to my post.
Our divergent opinions again underscore how the perception of a components performance is dependent on the associated equipment and personal preference. The LS2B MKII mated well with the ARC D115MKII and also the VT100 MKII. My speakers at the time were the MG 3A followed by the MG 3.5s. The ribbon tweeters would have ruthlessly revealed any perceived brightness. Admittedly, LP piano recordings could sound mechanical (e.g. too pronounced leading edge) if the VTA was not properly adjusted. I agree that the LS5 MKII is a better preamp than the LS2B MKII (greater transparency, more natural and richer tonal balance, etc). However, the LS2B MKII is a much better performer than you have suggested. I maintain that in the right system it can be very satisfying and musical.
Having said all of that, I still prefer the LS25 MKI with NOS 6922 to both the LS2B and the LS5 MKII