Linn Components

I have a very low tolerance for messing around with audio gear. In that sense at least, I am far from an audiophile. I just want reliable, easy to use equipment that makes the most involving music possible in my price range. This is one reason I love my Linn gear. At least based on my experience I really have no idea what our friend tomryan is talking about when he suggests the gear is somehow mysterious to use. It is about as simple as it gets. Of course, I really don't have first hand experience with the 20K CD 12, so I can’t speak to that.

Sorry, but I think (my own opinion) that the Plinius SA50-MKIII and Air Tight ATM300 sounds better than the two Linn amps I borrowed 4.5 years ago for a home test. Neither of the Linns had the color and tone richness of the amps I ended up buying. Again, in my opinion.

Linn is not as much of a cult thing as, say, 15-20 years ago as most of the other high end stuff is just as reliable. And I do understand (and from experience with the Linn store in my area) that Linn is extremely reliable.

It's also a bit dry and undynamic sounding (both macro and mirco) but does do that PRAT thing very well. I think this has something to do with type of dynamic presentation. Nothing really pops at you so it's easy to relax and just tap your feet. This opinion does not apply to the high end items which sounded superb with $20,000.00 Sonus Faber speakers at the store. However, you have to admit the CD12 is a bit of an odd bird. I mean, no drawer open/close button? It took two salemen 2-3 tries just to get the drawer open.

I also borrowed two Classe amps for home audition and found them similar to Linn. Not my cup of tea but I can understand fully that it will be for others. I also don't care for Audio Research's house sound and, even though having owned six Conrad Johnson products, find their house sound no longer appealing.

We all should remember that each and every one of us hears and unconsciously listens for different things. This is what causes us to like different products. I have a friend who loves an OTL amp which to my ears sounds lean and edgey. All he hears is "stunning resolution and transparency". He truly loves it, I can't listen for more than 2-3 minutes.

"I have owned many different Amps and Pre Amps ,all but one were better than what I now have
and that is a Kairn Pro two LK140 and an Ikemi player.Much of what I had before cost a lot more."

Rossq: I'm not sure exactly what you are saying here, though your general positive sentiments about Linn are clear. You may have said exactly what you wanted or there may be a small error in language (such as I am prone to).

Are you saying: 1) that your Linn stuff sounds better than all but one amp/preamp combination you have owned and costs less, OR 2) (as it reads) that everything you have owned except one previous thing sounded better than the Linn, but that you are impressed with the value of Linn gear nonetheless?

Newmanoc:Sorry if I was not to clear.It was late and I should have been in bed.Of all the different combos of Amps and Pre Amps owned by me in the last 15 years,only one combination sounded better than the Linn, but the cost was 3 times higher.To be a little more precise,almost all my other gear cost more,proving to me that spending more
will not always mean better sound.I now belive that when you find what sound good to you ,regardless of cost that's
all that matters.And Linn is it for me.
Regards Rossq

A guy I bought a small piece of gear from last year, (a Linn remote, actually) has a story similar to but even more dramatic than those of Rossq and Clmorton. He started out with a Linn system in his youth, and then went all out into the different systems. He spent 70K on one, which he ended up selling in dissatisfaction, and then spent something like 60K on an all YBA system. He recently sold the YBA and bought a Linn system consisting of an Ikemi, a Kairn, and an LK 140 to go with some Sonus Faber Cremona Auditors. Total cost, including the Cremonas, was less than 15 K new. (He also has a maxed out LP 12 worth 10K, but had this with the other systems as well). He is ecstatic with his current system. As he puts it, he has tears in his eyes again when he listens to music - something entirely missing with the other systems.

Now, I do not believe that everyone is going to have this same response to Linn, nor is there anything wrong with your ears if you don't. For instance, if you like tubes, like tomryan, it seems to me you are pretty likely to find the gear unsatisfying. (The "blooming," "liquid" "organic" sound - what ever precisely these last two mean - is just not the Linn scene.) I actually am not sure I will ultimately be satisfied with the limited dynamics of their preamps. But the entry and midrange stuff in their line is really nothing less than remarkable for the money, especially on the used market.