For speed and dynamics, I like the Placette Active (I have that as my backup linestage); it is not bad in all other respects.
Having heard the Naim 252, I bet the much more expensive 552 would be a winner in this category as well.
Among the better linestages I've heard are the top of the line Audionote (uk), Kondo and Emotive Audio linestages. I am about to audition the Emotive Audio Epifania in my own system, as an alternative to my current Levinson No. 32 (a bit of a slug in the speed department, but otherwise respectable). I've heard the Epifania before and thought it was a real winner, but, until now, it did not have remote control of volume, which is a minimum requirement for me. Neither of these call attention to speed and dynamics, per se, but once you've heard them in appropriate systems, you will understand why that kind of parsing of performance characteristics is irrelevant.
I have not heard the Wyetech Opal, but a friend who owned one of their amps liked the linestage as well.
Good luck in your search.
Having heard the Naim 252, I bet the much more expensive 552 would be a winner in this category as well.
Among the better linestages I've heard are the top of the line Audionote (uk), Kondo and Emotive Audio linestages. I am about to audition the Emotive Audio Epifania in my own system, as an alternative to my current Levinson No. 32 (a bit of a slug in the speed department, but otherwise respectable). I've heard the Epifania before and thought it was a real winner, but, until now, it did not have remote control of volume, which is a minimum requirement for me. Neither of these call attention to speed and dynamics, per se, but once you've heard them in appropriate systems, you will understand why that kind of parsing of performance characteristics is irrelevant.
I have not heard the Wyetech Opal, but a friend who owned one of their amps liked the linestage as well.
Good luck in your search.