Nuforce

Oz, I'd definitely say they outperform most tube amps I've heard (especially in terms of bass articulation and top to bottom resolution). And the amazing thing is that you can get them to sound just like a great tube amp if you want to -- simply by using a great tube preamp ahead of it.

I have a friend who uses his NuForce with a TAD-150 Signature with excellent results. In fact, it caused him to get rid of his tube amp, which couldn't keep up sonically.

I'm currently using a Parasound P/LD-2000 into a TAD-150 Signature and then into the NuForce Reference 8s. I know that using two preamps in tandem might seem weird, but I'm actually getting the best sound quality that way. It's my own special recipe that I discovered by accident when I first hooked up the TAD-150 to see if it worked. I found the TAD-150 by itself (though an excellent performer) to be just a touch soft and laid back for my taste.

The solid-state P/LD-2000 feeding the TAD-150 somehow lets the system maintain its excellent dynamic kick while also creating sweet, airy tube sound. It's fantastic on vocals and guitar and the bass totally comes alive. I consider this combo the best of both worlds. I'm using SignalCable's excellent Silver Resolution interconnects to connect the chain and it's pure magic.

NOTHING compares to a good tube amp - like mine! Audiomat Opera: 30wpc pure class A push-pull.

I had the original NuForce model 8s in my system for a month, but wanted to return them the day I got 'em. Compared to tubes, the NuForce does not do harmonics properly or get the effortlessly organic tube sound correct. It has a kind of "processed" sound to it, similar to what dithering does. The soundstage just doesn't open up like you get with good valves.

If you're coming from solid-state, however, you may like 'em. I didn't.

I have the ref 8b's running fully balanced from a Marantz SA-11S1 thru a passive-mode Adcom GFP-750. To me, the sound is absolutely fantastic with rock, big band, jazz, acoustic, etc. In general, the sound stage, imaging, bass and most of all the PRAT are better than with my PrimaLuna Prologue 2. However, I still enjoy the sound of my tube setup and I do like it somewhat more with most classical pieces. The main reason I bought the NuForce was to have a high quality, cool running system in the summer months. Tubes and Class A equipment take a siesta in my listening room from June through September. I am very pleased with the performance of these digital amps. Furthermore, having the two systems allows me to enjoy the best of both worlds during the course of the year. Its like drinking red or white - although they are quite different, they can be equally enjoyable when of good quality.

Some like tubes some don't. In contrast to many of the top-end ss amps these NuForces battle with the best. Did you notice that The Absolute Sound just praised the Reference 9's with the Editor's Choice Award for 2005?

They are very impressive and near impossible to beat at their price point. I have heard them be 95% of $12k Sim Audio monos at an audio jam; no small feat.

Hi folks, does anyone know the differences between the eAR ICEpower amps, for instance the eAR 1001, and the NuForce? Does the NuForce sound more organic and natural in comparison with the ICEpower amps? Recently Bel Canto design released an ICEpower amp called the Ref 1000, which will replace their well known Tripath based eVo 2.